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Leica Summilux-SL 50mm f/1.4 ASPH: A Compact Lens with Character Today, Leica is expanding the SL lens lineup with the introduction of the new Summilux-SL 50mm f/1.4 ASPH. While it shares its name and focal length with the original Summilux-SL 50mm f/1.4 ASPH, this lens is not a direct replacement. Instead, Leica has created an entirely different lens with a distinctly different design philosophy. Where the original Summilux-SL was conceived as a large, uncompromising reference optic designed to extract every ounce of performance from the SL system, the new Summilux-SL emphasizes portability, speed, and character. At just 584 grams, it is nearly half the weight of its predecessor, making it one of the smallest and lightest autofocus full-frame 50mm f/1.4 lenses available. A Different Kind of SL Lens Perhaps the most interesting aspect of the new lens is Leica’s design philosophy. Rather than chasing absolute perfection above all else, Leica intentionally designed the Summilux-SL 50mm f/1.4 ASPH as what they describe as a “look lens.” In Leica’s terminology, a reference lens strives for the highest possible correction, maximizing sharpness, contrast, and consistency across the frame. That’s the philosophy behind lenses like the APO-Summicron-SL series and the original Summilux-SL 50mm. The new Summilux takes a different approach. Wide open at f/1.4, Leica deliberately allows a gentler, more organic rendering with softer transitions, smoother bokeh, and a more atmospheric look. As the lens is stopped down, it quickly sharpens into an exceptionally high-performing optic, but it never loses the distinctive character Leica intentionally engineered into its rendering. In many ways, the philosophy feels closer to Leica’s more characterful M Summiluxes than to the clinically precise rendering traditionally associated with the SL system. Rather than replacing the original Summilux-SL, the new lens complements it, giving photographers a choice between ultimate optical precision and a more expressive rendering style. Optical Design Despite its compact dimensions, the Summilux-SL features a sophisticated optical design consisting of 16 elements in 11 groups, including two PGM aspherical elements together with multiple anomalous partial dispersion glass elements to control chromatic aberration and maintain excellent performance throughout the frame. This is Leica's second lens, following the 35mm Noctilux-M f/1.2 ASPH to use the new precision moulded glass technology. The lens uses an 11-blade aperture diaphragm, contributing to smooth, natural background blur and pleasing out-of-focus rendering. Screenshot Fast Autofocus and Close Focusing The new Summilux-SL focuses as close as 50 cm (19.7 inches), allowing photographers to fill the frame with smaller subjects while maintaining comfortable working distance. The Summilux-SL 50 f/1.4 ASPH is also the first Leica lens to employ a Voice Coil Motor (VCM) autofocus system, marking a significant step forward in the company’s lens technology. Unlike conventional autofocus motors that rely on gears or screws, a voice coil motor uses electromagnetic force to move the focusing group directly. The result is exceptionally fast acceleration, near-instant stopping, and extremely precise positioning with virtually silent operation. For photographers, this translates into quicker, more responsive autofocus, while videographers benefit from smooth, quiet focus transitions without the distracting motor noise common to traditional focusing systems. Leica pairs the new VCM with an internal focusing design that minimizes the movement of lens elements during focusing, improving responsiveness while helping to maintain the lens’s compact dimensions. The new autofocus system also contributes to more accurate subject tracking on the SL3-P’s advanced hybrid autofocus system, making the combination particularly well suited for both still photography and video. MTF Performance Leica’s published MTF charts reflect the lens’s intended purpose. Contrast and resolution remain impressively high across the frame, particularly once stopped down slightly, but the charts don’t tell the entire story. Unlike Leica’s APO lenses, which are engineered to minimize virtually every optical aberration, the new Summilux-SL intentionally prioritizes rendering and image character. The result is a lens that produces technically excellent images while also delivering a distinct visual signature, particularly at wider apertures where many photographers spend most of their time shooting. For photographers who appreciate the rendering of Leica M lenses but have wanted a similar aesthetic in the autofocus SL system, the new Summilux-SL offers an intriguing alternative.Today, Leica is expanding its growing family of compact SL prime lenses with the introduction of the new Summilux-SL 50mm f/1.4 ASPH. Combining a fast f/1.4 aperture with surprisingly compact dimensions, the new lens is designed to deliver the classic rendering of a Summilux while maintaining the portability and everyday usability that many SL photographers have been asking for. Screenshot Shooting Impressions During our time in Germany photographing with the new SL3-P, we also had the opportunity to spend time with the Summilux-SL 50mm f/1.4 ASPH. Mounted on the camera, the first thing that stood out was just how well balanced the combination felt. The reduced size and weight make the lens feel almost tailor-made for travel, documentary work, and everyday photography. Image quality certainly didn’t disappoint. Wide open, the lens produces excellent sharpness with rich color, beautiful contrast, and smooth, natural bokeh. Combined with the responsiveness of the new SL3-P, it quickly became one of our favorite combinations during the trip. Pricing and Availability The Leica Summilux-SL 50mm f/1.4 ASPH will be available starting at the end of 2026, priced at $4,950. To pre-order the 50m Summilux-SL, you can visit Leica Store Miami by clicking the button below, calling 305-921-4433, or sending an email to info@leicastoremiami.com. If you’re interested in trading in other Leica equipment toward this lens, please note it during the pre-order process. Tech Specs LensLeica Summilux-SL 1:1.4/50 ASPHOrder Number11195View angle (diagonal/horizontal/vertical)Full-frame (24 x 36 mm): 46.4°/39.2°/26.7°Number of lenses/groups11/6Number of aspherical surfaces2Position of the entrance pupil before the bayonet42.7 mmFocus range0.50 m to ∞SettingChoose automatic (Autofocus) or manual mode on the cameraSmallest object fieldFull-frame: 274 x 183 mmLargest scale1:7.6Setting/FunctionElectronically controlled aperture, setting on the camera, half or third values can also be setSmallest aperture16Number of blades11Autofocus drivePrecision Voice-Coil drive for fast and silent autofocus movementsFirmwareLens firmware can be updated via the cameraCoatingHydrophobic Aqua-Dura® coating on external lensesMaterialAluminum full-metal housing, black anodized, dust and splash water protectedBayonetLeica L bayonet fitting with contact stripFilter threadE67Lens hoodMale bayonet for lens hood (included in the scope of delivery)LengthApprox. 75.5 mm/116.3 mm (without/with lens hood)DiameterApprox. 74 mm/82 mm (without/with lens hood)WeightApprox. 584 g/637 g (without/with lens hood)Scope of deliverySummilux-SL 50mm f/1.4 ASPH, lens hood, front lens cap, rear cover, lens pouch, certificate, instructio […]

Leica Introduces the APO-Macro-Elmarit-SL 100 f/2.8 Today, […]

Leica SL3-P: 44MP, Advanced Autofocus, 40 FPS and 8K Open Gate Video Today, Leica has announced the new SL3-P, the latest addition to the SL-System. Pairing a newly developed 44MP full-frame BSI CMOS sensor with Leica’s fastest autofocus system yet, the SL3-P offers continuous shooting up to 40 frames per second with full AF tracking, an exceptionally fast sensor readout with minimal rolling shutter, and significantly expanded video capabilities, including 8K Open Gate and 4K/120p recording. The result is a camera designed to deliver an exceptional balance of image quality, speed, and versatility. Prior to today’s release, photographers could choose the SL3 with its 60MP sensor and class-leading image quality, or the 24MP SL3-S for faster shooting, improved autofocus tracking, and expanded video capabilities. Each camera excels in its intended role, but Leica consistently heard requests for either more speed from the SL3 or more resolution from the SL3-S. With the SL3-P, they’ve delivered both. The SL3-P builds on the speed and autofocus performance of the SL3-S while introducing a new 44MP sensor that strikes a balance between maximum resolution and rapid performance. Its hybrid autofocus system combines the speed of phase detection, the precision of contrast detection, and the intelligence of machine learning-based subject recognition, increasing the number of on-sensor autofocus points to 819. At the same time, the new sensor delivers a readout speed more than 150% faster than the SL3-S, dramatically reducing rolling shutter while enabling autofocus tracking at the camera’s full 40 fps burst rate. The result is a camera that feels remarkably fast and confident across an incredibly wide range of shooting situations. A New 44MP Full-Frame Sensor At the heart of the SL3-P is a newly developed 44MP backside-illuminated CMOS sensor. The resolution sits directly between the 60MP SL3 and the 24MP SL3-S, striking a balance between image detail, workflow efficiency, and speed. For SL3-S users, the jump to 44MP represents an 83% increase in resolution, offering substantially more cropping flexibility and detail. For SL3 photographers, stepping down from 60MP to 44MP is a much smaller compromise, allowing them to take advantage of the camera’s dramatically faster performance while retaining much of the image quality they’ve come to expect. The sensor delivers up to 14 stops of dynamic range and offers an ISO range from 50 to 200,000. For applications requiring the highest possible resolution, Leica’s in-camera Multishot mode can capture images up to 176MP, even handheld. The result is a camera capable of tackling everything from commercial and landscape photography to sports, wildlife, and event coverage. Equally important for video or high-speed electronic shutter use, the new sensor's much faster readout speed means minimal rolling shutter during camera movements or for rapidly moving subjects. This also results in quicker feedback for the autofocus system. Leica’s Most Advanced Autofocus System Yet One of the most significant advancements in the SL3-P is its new hybrid autofocus system. Leica combines phase detection autofocus, contrast detection autofocus, and depth mapping technology with advanced machine-learning subject recognition to create the most sophisticated autofocus platform offered to date. The system features 819 autofocus points and can recognize and track people, animals, cars, and vehicle components. Continuous shooting is available at up to 40 frames per second with autofocus support, making the SL3-P the fastest camera in Leica’s current lineup. For photographers who have long wanted an SL camera capable of confidently handling fast-moving subjects, the SL3-P represents a significant step forward. Refined P-Series Design Like previous P-series cameras, the SL3-P adopts a more understated appearance. The iconic red Leica dot has been omitted in favor of a cleaner, more discreet design. Black buttons and controls further emphasize the minimalist aesthetic, although the bold white engraved LEICA name still graces the front of the viewfinder, rather than the black on black of the SL3-S. We're sure some will opt to take matters into their own hands but for us, the look is clean, understated and all business. The camera retains the premium made-in-Germany construction we've come to expect from the SL3 family, with full-metal body, IP54-rated weather sealing, and tank-like build. The SL3-P remains unmistakably Leica in both design and operation. Expanded Professional Video Capabilities Building on the strong video foundation of the SL3-S, the SL3-P significantly expands Leica’s hybrid video platform with additional recording formats, higher resolutions, faster frame rates, and greater workflow flexibility. The camera can record using the full sensor in 8K Open Gate (3:2), allowing filmmakers to capture maximum resolution for reframing into multiple aspect ratios during post production. For those wanting open gate but without the full size of 8K, the camera also offers 7.2K OG and 6.4K OG. Traditonal 17:9 and 16:9 recording options of C8K, 8K, C6K, C4K, UHD, and Full HD recording options are aksi available, giving creators the flexibility to balance image quality, frame rate, storage requirements, and delivery format. For slow-motion capture, the SL3-P supports frame rates up to 120 fps in 4K and 60 fps in 6K, making it well suited for sports, action, and cinematic applications. Leica has also expanded codec support considerably. The camera offers internal recording in H.264, H.265 (HEVC), and Apple ProRes, with recording available in both 8-bit and 10-bit and Log options of L-Log and HLG. For productions requiring the greatest latitude in post production, the SL3-P can output 8K Open Gate RAW over HDMI 2.1 to external recorders. Leica is also rolling out new Pure and Cine LUTs for both in-camera viewing and for post production workflows. On screen waveform and false color, hardware timecode support, and Frame.io camera-to-cloud integration add to the video feature-set. Together, these features position the SL3-P as Leica’s most capable video-focused camera to date while maintaining its identity as a photography-first tool. Shooting the Leica SL3-P in Germany We were fortunate to be invited to Germany to try out the SL3-P first hand. Leica clearly wanted photographers to experience the SL3-P in situations where speed, autofocus performance, and image quality could all be put to the test. Aftter a photo shoot in studio at Leitzpark, some BMX bikers doing jumps in front of Leica HQ and Koblenz for travel and street photography, Leica brought us to the famed Nürburgring during qualifying for the legendary 24-hour race, where we photographed everything from race cars tearing up the track to mechanics working in the pits and fans checking out cars in the paddock. That variety turned out to be the perfect proving ground for the camera. Apart from the incredible autofocus performance, which nailed shot after shot in every condition, I was blown away by color and tonality of the new sensor. Rich, true-to-life colors pop off the screen with plenty of headroom for editing. And getting to try out the upcoming 100mm APO-Macro and 50mm Summilux lenses was a real treat. Here's a small sampling of the images I shot on the SL3-P during my time in Germany. Be sure to click on the image thumbnails for a larger view. Check out our coverage on Red Dot Forum YouTube Be sure to check out our launch video and join us for tonight’s live Red Dot Forum Camera Talk where we’ll take a deeper dive into the camera, show sample images and answer your questions live. Where the SL3-P Fits in the Leica SL Lineup The introduction of the SL3-P creates an interesting three-camera lineup within the SL family. The SL3 remains the highest-resolution option with its 60MP sensor, making it especially attractive for landscape, architecture, and studio photographers. The SL3-S focuses on speed and video performance with its 24MP sensor and excellent low-light capabilities. The new SL3-P effectively bridges the gap between those two cameras. It offers substantially more resolution than the SL3-S while delivering significantly faster shooting speeds and autofocus performance than the SL3. For photographers and content creators seeking a true hybrid camera capable of excelling across a broad range of applications, the SL3-P may prove to be the most balanced option in the lineup. The SL3 Family Compared Leica SL3-PLeica SL3Leica SL3-SSensor/ResolutionBSI-CMOS 44 MPDouble Resolution (44 / 26 MP)176 MP Multishot ModeBSI-CMOS 60 MPTriple Resolution (60 / 36 / 18 MP)240 MP Multishot ModeBSI-CMOS 24 MPSingle Resolution 24 MP48 / 96 MP Multishot ModeISO Range50–200,00050–100,00050–200,000Sensor readout speed39.6 ms (14 bit)20 ms (12 bit)100.7 ms51.3 msAutofocus SystemPDAF / Contrast AF / Object Detection AF / 819 AF Points(+ machine learning for tracking)PDAF / Contrast AF / Object Detection AF / 315 AF PointsPDAF / Contrast AF / Object Detection AF / 779 AF PointsBurst speed40 fps with full AF support15 fps5 fps with full AFc support30 fps with full AFc supportVideo FeaturesAdvanced features, 8K Open Gate Recording, 8K HDMI-RAW, 6K, 60p, 4K/120pStandard Features incl. 8KAdvanced features, 6K Open Gate Recording, 5.9K HDMI-RAW, 4K/60pContent CredentialsYes, without restrictionsNoYes, not in burst mode Pricing and Availability The Leica SL3-P is available immediately, priced at $6,690. As with most Leica launches, supply will be limited at launch. To purchase the Leica SL3-P, you can visit Leica Store Miami by clicking the button below, calling 305-921-4433, or sending an email to info@leicastoremiami.com. If you’re interested in trading in other Leica equipment toward this camera, please note it during the pre-order process. If you're just getting into the SL System, Leica is also introducing three launch kits which offer significant savings compared to purchasing the components individually. If you need a lens, the kits offer savings ranging from $1,100 to 2,450 vs. purchasing a la carte: Leica SL3-P Vario Kit 28-70: $7,790 Leica SL3-P Vario Kit 24-70: $8,390 Leica SL3-P Vario Kit 24-70 & 70-200: $10,995 Tech Specs – Photo DesignationLeica SL3-PCamera typeMirrorless full-frame system cameraType No.3403Order No.10664 (EU), 10665 (JP), 10666 (ROW)RAM8 GBBuffer memoryThe number of images that can be stored in the camera’s RAM depends on the frame rate and image format.Continuous shooting buffer2 fps, 14 bit, AF: 1000 DNG / 275 DNG + JPG / 1000 JPG5 fps, 14 bit, AF: 180 DNG / 95 DNG + JPG / 195 JPG7 fps, 14 bit, AF: 125 DNG / 85 DNG + JPG / 130 JPG15 fps, 14 bit, AF: 70 DNG / 70 DNG + JPG / 70 JPG15 fps, 12 bit, AF: 70 DNG / 70 DNG + JPG / 70 JPG25 fps, 12 bit, AF: 70 DNG / 70 DNG + JPG / 70 JPG25 fps, 14 bit, AF: 70 DNG / 70 DNG + JPG / 70 JPG30 fps, 12 bit, AF: 70 DNG / 70 DNG + JPG / 70 JPG40 fps, 12 bit, AF: 70 DNG / 70 DNG + JPG / 70 JPGValues refer to a CFe Card Type B with Leica Content Credentials off.Storage mediumUHS-II (recommended), UHS-I, SD/SDHC/SDXC card + CFexpress card type B (recommended)MaterialFull metal housing: magnesium and aluminum, leatherette covering, splash water protected in accordance with IEC Standard 60529 (protection type IP54)Lens mountLeica L bayonet with contact strip for communication between lens and cameraOperating conditions−10 to +40°CInterfacesISO accessory shoe with additional control contacts, synch jack/timecode interface, HDMI jack 2.1 Type A, USB-C USB3.1 Gen2, Audio-Out 3.5 mm/Audio-In 3.5 mm, communication interface in the bottom cover for multifunction handgripTripod threadA 1⁄4 DIN 4503 (1⁄4”) with stainless steel in the baseDimensions151.45 mm wide, 108.05 mm high, 84.6 mm deepWeightApprox. 768 g (without battery, memory cards, camera bayonet cover)Sensor sizeCMOS sensor, 45.8 MP / 44.9 MP (total / effective)Image stabilization5-axis image stabilization up to 5-stopsFilterRGB color filter, UV/IR filter, no low-pass filterProcessorLeica Maestro series (Maestro IV)File formatsPhoto: DNG™ (raw data), DNG + JPG, JPG (DCF 2.0, Exif 3.00)Image resolution35 mm JPG: L 8144 x 5424 pixels (44.2 MP), S 6336 x 4208 pixels (26.7 MP)35 mm DNG: L 8144 x 5424 pixels (44.2 MP), S 6336 x 4218 pixels (26.7 MP)APS-C JPG: L 5360 x 3568 pixels (19.1 MP), S 4160 x 2768 pixels (11.5 MP)APS-C DNG: L 5360 x 3568 pixels (19.1 MP), S 4168 x 2776 pixels (11.5 MP)Multishot JPG/DNG: L 16288 x 10848 pixels (176.7 MP), M 11504 x 7664 pixels (88.2 MP)Color depthDNG™: 14 bit (12 bit also possible depending on the continuous shooting mode), JPG: 8 bitColor space (photo)sRGBFile sizeDNG™: approx. 60 MB (L-DNG), depending on resolution and image content; JPG: approx. 21 MB (L-JPG), depending on resolution and image contentRecording modesPhoto mode: P-A-S-M; Video mode: P-A-S-M; Cine mode: MViewfinder (EVF)Resolution: 5,760,000 dots, 60 fps or 120 fps, magnification: approx. 0.76x at aspect ratio 3:2 / approx. 0.78x at aspect ratio 4:3, frame coverage: 100%, exit pupil position: 21 mm, setting range −4/+2 dpt, with eye sensor for automatic switchover between viewfinder and LCD panel, time delay 0.005 sLCD panel3.2” backlight LED with anti-fingerprint and anti-scratch coating, 2,332,800 dots, format 3:2, touch panelTop display1.28” highly reflective trans-reflective monochrome LCD, 128 x 128 pixels, viewing angle 120°, anti-fingerprint coatingShutter typeElectronically controlled focal plane shutterShutter speedsMechanical shutter: 30 min to 1⁄8000 s; electronic shutter function: video to 1⁄10000 s, photo 14 bit to 1⁄8000 s, photo 12 bit to 1⁄16000 s; flash synchronization up to 1⁄200 sShutter buttonTwo-stage: first stage activates camera electronics including autofocus and exposure metering; second stage takes the pictureSelf-timerDelay time: 2 s, 6 s, 12 s or 30 sDrive ModeSingle, Continuous Shooting, Interval Shooting, Exposure Bracketing, Multi-ShotContinuous shooting2 fps, 5 fps, 7 fps, 15 fps, 25 fps, 30 fps and 40 fps with AFc support, depending on bit depth and shutter typeFocus modeAutomatic or manual; with manual setting, optional magnifying glass function and Focus Peaking are available as focus assistAutofocus systemHybrid AF due to combination of contrast metering, depth mapping and phase comparison metering with AF metering points in the sensorAutofocus modesIntelligent AF, AFs, AFc, AF setting can be saved, optional Touch AFAutofocus metering methodsField / Spot (can be shifted and scaled), Zone / Multi-Field (can be shifted and scaled), TrackingAutofocus detectionHuman (Eye/Face/Body), Human (Eye/Face), Animal (Body), Animal (Eye/Body), Car, Car (Parts)Autofocus metering fieldsContrast AF: 315 / Phase detection AF: 819Exposure meteringTTL (exposure metering through the lens)Exposure metering methodsSpot, Center-Weighted, Highlight-Weighted, Multi-FieldExposure modesProgram AE mode (P), aperture-priority mode (A), shutter-priority mode (S), Manual (M)Exposure compensation±3 EV in 1⁄3 EV increments or 1⁄2 EV incrementsAutomatic bracketing3 or 5 frames, graduations between shots up to 3 EV, in 1⁄3 EV increments, additional optional exposure compensation up to ±3 EVISO sensitivity rangePhoto Auto ISO: ISO 100–200,000Photo Manual ISO: ISO 50–200,000Dual Basis ISO settingsPhoto Low Basis ISO: ISO 50–360Photo High Basis ISO: ISO 400–200,000White balanceAutomatic (Auto), Daylight, Cloudy, Shadow, Tungsten, HMI, Fluorescent warm, Fluorescent cool, Flash, Gray Card, Gray Card pipette, Color Temperature 2000 K to 11500 KFlash unit connectorVia the accessory shoeFlash synchro socketFor flash synchronization, photo mode onlyFlash sync time1⁄200 s, slower shutter speeds available, automatic switchover to TTL linear flash mode with HSS-compatible Leica system flash units if sync time is undercutFlash exposure meteringUsing center-weighted TTL pre-flash metering with Leica flash units SF 26, SF 40, SF 58, SF 60, SF 64 or system-compatible flash units, remote controlled flash SF C1Flash exposure compensationSF 40: ±2 EV in 1⁄2 EV incrementsSF 60: ±2 EV in 1⁄3 EV incrementsMicrophoneStereo internal + microphone input 3.5 mm stereo jackSpeakerMono internal + headphones output 3.5 mm stereo jackWLANThe Leica FOTOS app is required to use the WLAN function. The Leica app is available from the Apple App Store or Google Play Store.2.4 GHz WLANIEEE802.11b/g/n: Channel 1–11 (2412–2462 MHz)5 GHz WLANClient mode and access point + client mode, depending on regionEncryption methodWLAN-compatible WPA2™, WPA2™/WPA3™ and WPA3™BluetoothBluetooth 5.0 LE: Channel 0–39 (2402–2480 MHz)GPSNot available everywhere due to country-specific legislation; can be added via the Leica FOTOS app. Data is written to Exif header of the picture files.Menu languagesEnglish, German, French, Italian, Spanish, Portuguese, Russian, Japanese, Simplified Chinese, Traditional Chinese, KoreanBatteryLeica BP-SCL6 lithium-ion rechargeable batteryCharging via USBDuring operation: 9 V / 3 A, min. 27 W; with camera switched off: 5 V / 1500 mA, 2.5 W or greaterScope of deliveryLeica SL3-P,  Body Cap, Battery, USB-C cable, carrying strap, Quick Start GuideWarranty2 years, extendable to 3 years Tech Specs – Video Video file formatsMP4: H.265 AAC 48 kHz / 16 bitMP4: H.264 AAC 48 kHz / 16 bitMOV: H.265 LPCM 48 kHz / 24 bitMOV: H.264 LPCM 48 kHz / 24 bitProRes: LPCM 48 kHz / 24 bitRAW: LPCM 48 kHz / 24 bitRecording modesPhoto mode: P-A-S-M; Video mode: P-A-S-M; Cine mode: MVideo resolution8K OG, C8K, 8K, 7.2K OG, 7.2K, 6.4K OG, C6K, 6K, 4.8K, 4.7K, C4K, 4K, Full HD and proxy resolutionsFrame ratesUp to 8K/30p, 6K/60p and 4K/120p, depending on resolution, codec and recording modeHDMI RAWUp to 8K Open GateProResApple ProRes internal recording up to 5.8KBit rate8 bit / 10 bit for recordings on SD and CFe card, 10 bit for HDMI outputVideo GammaRec. 709, Rec. 2020 (L-Log & HLG)LUTsLeica Pure, Leica Cine and custom LUT profilesVideo toolsFalse Color, HDMI Mirroring and redesigned Video Profile menuRecording mediaSD UHS-II, CFexpress Type B and USB-C SSD recordingRecording timeRecording times depend on storage capacity, sensor temperature and available powerISO sensitivity range – VideoAuto ISO: ISO 100–100,000Manual ISO: ISO 50–100,000ISO sensitivity range – L-LogAuto ISO: ISO 200–50,000Manual ISO: ISO 200–50,000ISO sensitivity range – L-Log (DRB)Auto ISO: ISO 400–50,000Manual ISO: ISO 400–50,000ISO sensitivity range – HLGAuto ISO: ISO 400–100,000Manual ISO: ISO 400–100,000Dual Basis ISO – VideoLow Basis ISO: ISO 50–360High Basis ISO: ISO 400–100,000Dual Basis ISO – L-LogLow Basis ISO: ISO 200–720High Basis ISO: ISO 800–50,000Dual Basis ISO – L-Log (DRB)Low Basis ISO: ISO 400–1440High Basis ISO: ISO 1600–50,000Dual Basis ISO – HLGLow Basis ISO: ISO 400–1440High Basis ISO: ISO 1600–100,000HDMIHDMI jack 2.1 Type AAudioStereo internal + microphone input 3.5 mm stereo jack; headphones output 3.5 mm stereo jack Press Release New: The Leica SL3-P Leica is expanding its SL-System for performance-oriented photography and videography with the release of its most advanced full-frame camera to date, accompanied by two new SL lenses, offering greater creative freedom. Teaneck, June 25, 2026 – When it launched the SL-System in 2015, Leica set a new standard for creative photography and video production. Based on the L-Mount, the system combines technological innovation with the precision and quality that the company is known for. Developed in close consultation with professional users, the SL-System continues to be refined, drawing on practical experience. The result is an expanding full-frame system that meets the highest photographic and cinematic standards, while also offering non-professional users easy access to high-quality image and video production thanks to its convenient, intuitive operation. Looking to the future, Leica is now significantly strengthening the SL-System by presenting the Leica SL3-P, the brand’s most comprehensive full-frame camera to date, alongside the innovative Summilux-SL 50 f/1.4 ASPH. and APO-Macro-Elmarit-SL 100 f/2.8 lenses. The New Leica SL3-P At the heart of the SL3-P’s features are a new sensor and a new hybrid autofocus system. The 44-megapixel BSI full-frame sensor provides an ideal balance of high resolution and exceptional image quality. With a dynamic range of up to 14 aperture stops, even the finest tonal gradations are captured. The Multishot mode delivers extremely high-resolution, detailed images with up to 176 megapixels. The ISO range of 50 to 200,000 ensures high image quality and flexibility, even in challenging lighting conditions. The new hybrid autofocus system combines three focus technologies – phase detection (PDAF), depth mapping (object detection AF), and contrast detection (contrast detection AF) – to achieve quick, precise, and reliable focusing. With continuous shooting at up to 40 frames per second with full autofocus support, improved tracking performance with 819 AF points, and smart subject recognition, the SL3-P can handle even the most dynamic of subjects with ease. In terms of video, the latest addition to the SL3 family enables recording at resolutions of up to 8K. This includes 8.1K Open Gate in 3:2 format at up to 24p, HDMI RAW 8K Open Gate, and 8K at 30p. For smooth motion rendering, the camera offers 5.9K recording at up to 60 frames per second as well as detailed slow-motion footage in 4K at 120p. Integration of the Apple ProRes codec at up to 5.8K guarantees outstanding image quality. Together with the two new in-camera LUTs – Leica Pure and Leica Cine – for the L-Log color space, this provides maximum freedom in professional post-production. This not only makes the SL3-P suitable for demanding film productions but also for high-quality hybrid workflows. It allows footage to be optimized for various channels and formats, and framing to be determined retrospectively without any loss of quality. Manufactured in Germany, the SL3-P features a deliberately minimalist design with black control elements and without the red Leica logo. Its solid, full-metal body ensures maximum stability and reliability, while IP54 certification provides effective protection against dust and water splashes. The SL3-P also features the L-Mount, offering maximum flexibility for photography and filming with the exceptionally wide range of compatible lenses from L-Mount Alliance partners. The SL3-P offers a unique combination of outstanding image quality, precision, feel, reliability, and speed as well as an unrivalled Leica user experience. This is based on well-conceived ergonomics, fully customizable controls, and a captivatingly clear user interface. The minimalist icon and menu design, which strictly separates photo and video modes, ensures particularly efficient navigation. A special color code – red for photos and yellow for videos – visually distinguishes between the two modes. In addition, the user interface automatically adapts to the camera’s orientation, displaying all information clearly and legibly on the high-resolution tilting screen in both vertical and horizontal positions. The exceptional Leica user experience is maintained through ongoing, uncompromising development. Regular firmware updates based on customer feedback are conveniently made available for the SL3-P via the Leica FOTOS App. This means that the camera embodies both modernity and longevity – from the choice of materials and continuous software improvements. It is a future-proof investment that offers a complete Leica experience from the very first use. The SL3-P’s comprehensive connectivity ensures a seamless professional workflow. The Leica FOTOS App uses fast Wi-Fi and Bluetooth connections to link the camera directly to mobile devices. This enables fast downloads of DNG, JPG, and video files as well as full remote control via a smartphone or tablet. Leica Looks can be applied as soon as the shutter is released, and their intensity can be adjusted either in the camera or later in the Leica FOTOS App. Native tethering support for Lightroom Classic and Capture One provides a stable, direct connection between the camera and computer, facilitating immediate image review in the studio. With Camera-to-Cloud via Adobe Frame.io, photos and videos can be transferred directly from the camera to the cloud, making them available for post-production immediately. In addition, the SL3-P is equipped with pioneering Content Credentials technology, developed in line with the Content Authenticity Initiative (CAI), which enables images to be signed with tamper-proof metadata if desired, thereby protecting creativ […]