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David Farkas replied to the topic New S (007) in the forum Leica S 11 years ago
I just posted an extremely in-depth write-up on the S (Typ 007). Give it a look:
Photokina 2014: Day 2 – Everything you need to know about the Leica S (Typ 007)
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Peter Dooling and
Carlos V. Causo are now friends 11 years ago -
David Farkas wrote a new post, Photokina 2014: Video interview with Stefan Daniel, Leica Director of Product Management 11 years ago
Stefan Daniel, Leica's Director of Product Management walked me through most of the major products introduced at Photokina. Of course, with so many new cameras and lenses, we couldn't go into too much detail on […]
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David Farkas replied to the topic How is everyone liking the new site design? in the forum Annoucements and Site Matters 11 years ago
Doug, if you click on the time/date in the Last Post column, you will be taken directly to the latest reply.
As far as old attachments that were migrated over, yes, some the sizing got a little strange. But, moving forward all smaller res preview images will all be the same size.
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David Farkas wrote a new post, Photokina 2014: Day 2 – Everything you need to know about the Leica S (Typ 007) 11 years ago
With my focus on the M yesterday, I wanted to dedicate my second day at the show to the new Leica S (Typ 007). As the third generation in the S family (I’m not counting the old S1 as it’s a totally different animal), Leica stepped up their game pretty significantly with the S 007. The new S ticks a lot of boxes on users’ wish lists. I got a chance to sit down with Stephan Schulz, Director of Professional Photo Products, and Toni Felsner, Project Manager of the S System to go over all of the changes on the new S.
Lots of interest at the S stand, even from Phase One…
The S 007 isn’t the first…or second or even third…medium format digital camera to transition from a CCD to a CMOS sensor. Hasselblad, Phase One and Pentax all got there first earlier this year by using the 44x33mm 50MP Sony sensor. But, like one of my favorite sayings goes, “The early bird may get the worm, but the second mouse gets the cheese.” The Leica S is now the fastest MFD system in the world, boasting a frame rate of 3.5 FPS, which is blazingly fast thanks to the new Maestro II image processor under the hood and the rapid-fire, lightweight shutter making light work of exposing the new CMOSIS-produced CMOS sensor at the heart of the S.
The camera also is the first to shoot 4K video and use the full width of the sensor to produce 1080p video. It’s got 802.11n Wi-Fi, built-in GPS, UHS-I dual card support, HDMI out, much faster autofocus and focus tracking, USB 3.0, a new and quite large daylight-viewable transflective top display, 60fps live view with focus peaking, DOF calculations clearly indicated, a whole host of video features and incredibly fast image processing.
Live view controls
Handling the camera is not too different than the S (Typ 006) that I have used extensively. The size and shape are familiar, which is to say, still one of the most comfortable and ergonomic camera bodies I’ve ever used. The camera is built like a rubber-encased tank and has seen upgrades in the durability category in addition to all the under-the-hood changes. The entire lens mount, and not just the mounting ring, is now solid stainless steel. So are the strap lugs. The mount now has a polished sheen of indestructability. The new faster, quieter shutter is now rated at 150,000 actuations, up from the already respectable 100,000 on the S (Typ 006).
While the bulk of the body remains the same, the entire top plate is brand new. The round knob-like GPS nub of the S (Typ 006) is replaced by a black gloss rounded rectangle that sits flush with the top of the camera. At first glance, it looks like a second status screen and seemed somewhat out of place, but it does fit the design quite well after some getting used to. The top status color OLED of the S (Typ 006) is now traded out for a handsome transflective monochrome LCD that is at least double the size. Information is clear and crisp with white lettering against a deep blue background, and the transflective screen, while still having a built-in backlight, actually increases in readability under bright light. The screen is reminiscent of those used in car dashboard displays.
New top transflective LCD
The shutter speed dial is now updated as well. No speed markings grace the dial any longer. The dial is smaller in diameter, has been moved forward towards the front edge and is much easier to turn. The concept is to have multiple functions for this control element and to be easy to turn by your forefinger while gripping the camera. Both were achieved here as I found it easy to use and comfortable to access while shooting. In playback mode, the top dial now controls zoom, with the rear thumb dial taking care of scrolling. This makes playback and review of images much quicker and more intuitive.
The last changes to the top plate are two steel buttons that sit to the right of the large top LCD and behind the top dial. The one with the red dot on it is to activate video recording and the other unmarked button is to turn on live view.
While not readily apparent from looking at the back of the camera, the onscreen GUI has gotten a nice facelift. Leica designers have traded rounded, dark gray selections to a more modern flat design, more similar to what you might see in iOS 7 or Windows 8. The look is clean and readable and functionally perhaps just a little easier to navigate given the improved menu organization. You also can update firmware within the menu without having to power cycle the camera and hold any buttons for x amount of seconds.
New status screen
The battery has gotten its own update. Visibly indistinguishable from its predecessor, the new battery boasts an increase in capacity in order to run the live view and video features of the S 007. The really great news for existing S2 and S 006 owners is that the battery is backwards compatible, meaning you can use it to get even longer battery life. It can be used in the Multifunction Grip, which is unchanged, as well as being charged using the same Pro Charger. Just don’t mix the old and the new battery in the grip. The warning I received about this reminded me a part in the movie Ghostbusters of when Egon warns his comrades about not crossing the streams, so we’ll leave it at that.
Included with the camera is a new piece of hardware, called the Leica Audio Adapter-S. This small dongle attaches to a locking LEMO port on the side of the camera and has three ports, two 3.5mm audio jacks, one for microphone in, the other for audio out, as well as an RCA connector for importing timecode from an external generator.
Audio Adapter S with audio and timecode connections
A lot of focus has been given to providing professional video features in the new S. As I already mentioned, the camera can shoot Digital Cinema 4K and 1080p FullHD. The 4K is actually wider than that used on televisions and computer monitors, measuring 4096 x 2160 pixels. The 4K video is captured at 1:1 on the sensor, meaning that each pixel on the sensor yields one pixel on the final video. So, to this end, the 4K capture area is a cropped section on the larger sensor. While I was pretty excited about the prospect of 4K on such a large sensor, from a quality perspective, this approach is a better one. In 1080p FullHD mode the entire area of the sensor, cropped to 16:9, is used. I imagine video guys everywhere drooling over the prospect of shooting on such a large sensor through the incredible range of S glass. Video can be recorded to either a local CF or SD card, or simultaneously to a computer or recorder via the HDMI port. Output from the HDMI port is limited to 1080p only, as Leica is using HDMI v1.3 which cannot carry 4K signals. The video feed is clean, stripped of any overlays or other information, allowing it to be recorded and ported as necessary. Quality of video should prove to be excellent, whether recorded to card or over HDMI. 4:2:2 sampling is used for best color fidelity and Leica engineers are targeting a bit rate of 50 Mb/s.
Full video rig
Besides video features, the two main focuses of the S product team has been to overcome two of the challenges historically found in medium format digital systems, namely speed and low light performance. The S has seemed to come out on top on both accounts. At 3.5 fps, the S shoots roughly three times faster than a Hasselblad or Phase One camera. This frame rate is possible with the new shutter and with the upgrade to the Maestro II. The first Maestro processor, care of chip maker Fujitsu, was already quite capable, chugging through 160MP/s. It powered the S2, the S 006 and most recently the M (Typ 240). While a specific speed isn’t being disclosed right now, the second generation ASIC chip is on the order of 2.5-3x faster than its predecessor. Along with support for Wi-Fi, USB 3.0, live view, 4K video and a blazingly-fast frame rate, the new processor also boasts improved image performance and enhanced in-camera RAW noise reduction. This goes to address the second goal, low light performance. Even though the sensor architecture is roughly the same as the one used in the M 240, these improved algorithms and image processing will result in even less noise at equivalent ISOs to the M. We are talking about very good and usable full res ISO 6400! The S is no longer relegated to being used in full light or being confined to a tripod. Coupled with the 30-90mm Vario lens, this beast could easily serve as a general purpose shooter, with similar handling and capabilities to that of a pro 35mm DSLR, but offering the advantages of medium format with a sensor area 60% larger.
High ISO range? Yes, please.
Along the same lines of speed comes an entirely redesigned AF system. While still featuring a single cross-type sensor in the center of the frame rather than a few closely spaced points, the already good AF speed and accuracy is now improved by a full 50% increase in both. This is not a small incremental bump, but rather feels totally different. I tried it out and even the previously mediocre AFc tracking mode is really good now. I’m told that it can easily track a subject walking or jogging toward the camera, even in the close range. And, you don’t even need to buy a new S 007 to take advantage of the speed increase.
Here’s how it works. In the old system, the AF sensor when activated would tell the motor to start moving towards the target distance. When it reached that point, the AF sensor would measure again, then start the motor again to adjust for precision, and repeat as necessary until 100% perfect. But this starting and stopping proves to be a little inefficient.
In the new system, the AF module stays active during the entire travel of the lens, constantly measuring and providing real-time instructions to the focus motor. Also new is the ability to finely vary the speed of the motor, slowing down and starting up gradually to minimize any jerkiness and increase movement efficiency. Apparently, the hardware to control motor speed through pulse width modulation and maintain AF measurements throughout the range have been there since the S 006, just not the software. So the new firmware just released for the S 006 upgrades the AF to the new standard. Unfortunately, given the hardware differences, the S2 cannot take advantage of this. Leica’s been doing a fantastic job providing ongoing support and expanding functionality for existing customers.
Also included as part of that AF package is a faster time to shoot. In AFs mode, when you press the shutter, the mirror actually starts to move before the lens motor has fully stopped. The system knows where the point of focus will be and will continue to finalize focus while the mechanical exposure sequence starts. This leads to a feeling of much more responsiveness.
Another huge item is live view functionality. With a 60 fps refresh rate off the sensor, live view looks amazing. Clear, bright and fluid. Unlike the M 240 or the T, which only allow for zooming in to the center of the image, the S 007 allows you to pan anywhere in the image at 100% view. And, you can use a spot cursor to use contrast detect AF anywhere in the image which in live view. There is also focus peaking and the focus spot can be combined with the spot meter to meter anywhere in the frame as well. Very nice implementation.
Spot AF and spot metering in live view
Like the T, the S can now use the Leica Shuttle app for iPhone or iPad to remotely control the camera and stream a live feed from the sensor. If you have a weak connection, the frame rate will drop, but the camera will still communicate. All image controls as well as relevant menu items can be accessed remotely and high-res JPGs can be streamed while shooting, all while the camera records to the internal memory or to a tethered connection over USB. Great feature for both the commercial studio as well as in the field for landscape applications. And, just like the T app, you’ll be able to browse and evaluate all the images on the card.
Some of my long-term wish items have been granted. In speaking with the Toni, he said that there were some “David Farkas wish items” on the new camera. One of my long-term wishes for landscape photography was to have the ability to determine hyperfocal distance. The S offers such a full system integration between lens aperture, precise focus distance and the camera that I reasoned it should be possible to calculate and display a DOF range. I’m happy to say that this is now a standard feature on the S 007. Whenever you are in manual focus mode or when performing a manual focus override in AF, three numbers show on the top display: the focus setting, front focus and back focus. So, to get hyperfocal, just turn the lens until the back value reads at infinity. Done and done. Love it.
Distance readings for DOF
Another item that I’ve requested is the ability to write DNG to both the CF and SD cards at the same time. Not only does the camera do this with ease, but in Backup mode as it’s called now, the S will also write DNG+JPG to both cards or store DNG files on card while shooting tethered. This last point is great. If the S2 or the S 006 got disconnected during a tethered shooting session, the camera would be fine, but the images in the buffer and in transit would be lost. Now, the S 007 in the same situation would just continue shooting to the internal card storage.
Leica is also teaming up with some experienced video accessory companies to create a full shooting package around the S. Rigs, matte boxes and follow focus controls from Chrosziel, microphones from Sennheiser and digital capture from Atomos are all in the works. In fact, Atomos is planning a firmware update that will allow the S to be controlled by the recorder’s touch screen when connected via HDMI.
Chrosziel rig… for Leica!
Sennheiser mic…. for Leica!
Atomos Ninja hooked up to S with HDMI cable
All-in-all, the S (Typ 007) seems to really deliver. Some might be disappointed by Leica’s decision not to bump the resolution slightly to 50MP, but to reiterate Stephan’s point, Leica is focused on delivering practical, real-world quality and usability.
To add a tenth lens to the system, Leica is also imminently releasing the gorgeous 100mm Summicron-S ASPH. This is now the fastest medium format lens produced and will equal the depth of field of an f/1.6 on 35mm full frame. It focuses down to 0.7 m and according to Peter Karbe, head of optics at Leica, it is an amazing optic, delivering almost perfect performance wide-open at every distance. He seemed especially proud of this new lens design and has made it clear to me in the past that the S lenses are the showpieces of Leica optical design.
And, lastly, in keeping with the trend of taking the previous generation and rebranding it as an “essential” model, the S (Typ 006) will get a makeover and name change to the Leica S-E. Dressed up in anthracite gray with silver controls, the S-E is like an M-E on steroids. At about $10,000 less than the S (Typ 007), it can still serve the needs of those photographers not needing video, live view, fast frame rate or low light performance, while offering a more attractive price point.
Leica S-E
Leica S-E
The S System continues to mature and shows Leica’s long term commitment to constant improvement and continued support. The lenses continue to be among the best that Leica has produced for any system and now the upcoming camera offers medium format without compromise. It’s incredible that it’s only been six years since Leica first announced the S System and less than five years since it started shipping the S2. There has been so much improvement and a rapid build-up of lenses to meet most every need that the S is truly a flagship system for Leica.
Stay tuned for more Photokina updates! Don't forget, you can follow me on Instagram @leicastoremiami and on Twitter @reddotforum.
S Product Manager Toni Felsner
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David Farkas wrote a new post, Dr. Andreas Kaufmann's one-of-a-kind M240 spotted at Photokina 2014 11 years ago
So while I was waiting for an interview in the press area of the Leica booth earlier in the day, I noticed Dr. Kaufmann, the owner of Leica camera, sitting with a few people at one of the tall cocktail tables out […]
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peter-dooling likes a reply on Night Street From Above 11 years ago
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david-farkas likes a reply on Night Street From Above 11 years ago
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Peter Dooling posted an update 11 years ago
From a friend's wedding last month. M Monochrom and 35mm f/1.4 at ISO 6400-
I think the black and white works well with the subject matter. You see so many weddings in full color and they all look the same. B&W gives it an art aspect and so different from the norm.
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Lovely image Peter. The B&W gives the image a nice mood and feel.
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Thanks Harry.
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Thanks Mark, I agree about the mood of B&W. Very hard to pull off in such a dark room though. Thankfully I had the Monochrom!
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David Farkas replied to the topic Leica 28mm Summilux-ASPH at Photokina 2014? in the forum M Lenses 11 years ago
Roger,
Have no fear. According to both Jesko and Peter Karbe, the 28 Lux is coming. They just need to build tooling. I'd expect to see this lens in the coming months.
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David Farkas wrote a new post, Photokina 2014: Day 1 – Leica M System 11 years ago
I arrived at the Koelmesse this morning, headed up the familiar steps of the South Entrance and made my way to Leica’s huge booth, again occupying the entirety of Hall 1.The place is enormous with areas for each s […]
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Great write-up David!! And the questions/answers also.
David, the part I find fascinating is the simplification of cameras comment, and the reason I love my M9. Could you ask if there is any push for simplification in the successor to the M240? Perhaps , my question is more request, so I am going to jump in with both feet. As features are added the complexity increases quickly, the M240 is feature rich and the complexity also followed. If anyone can simplify it is Leica, my frustration is the button pushing for playback with evf/screen firstly and the menu system secondly. A simplification could go something like this, attach the camera to a computer, allow choices of menu items visible/hidden. If I don't use a menu item I could then hide it and never have to deal with it, thus simplifying. Of course simplifying initially adds complexity by creating one more process but the field shooting would be simplified by less menu choices. I am sure Leica could come up with a better solution, perhaps in a firmware update?-
Daryl, this is an interesting idea. I'm happy to mention it tomorrow.
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David,
Always nice to read your comments on this every two year show. No one else seems to capture the feelings, as well as the insight. The metal shades on the new lenses is most welcome, but I am having a difficult time understanding how the lens cap can fit over both the lens and the shade. I must be missing something? -
The great cub reporter is at it again!
Your screed is a pleasure to read and I look forward to your upcoming report on the Leica S (typ 007).
Albert-
Thanks Albert. Working on it now. So much information! I spent about two hours with the product managers earlier today.
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David, thank you for the show report. Lots of stuff to cover. On a side note, which camera did you use for the photos of the event?
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I'm guessing X Vario Mark 😉
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Peter is correct. I used the X Vario (Typ 107) for almost all of the images in the article except for a few really close-up shots where I used the D-Lux 6.
I'm pretty sure that the event images were all taken at ISO 1600.
Nice little camera, that X Vario….
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David…thanks for the well written and informative report. Enjoyed reading it and look forward to the next chapter.
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Excellent write-up David!
Perhaps the new MM will be like the M 60, without the LCD.
And certainly agree with Mr. Jesko von Oeynhausen comment and I quote
“From a quality perspective, there is no need for improvement”.
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David Farkas replied to the topic How is everyone liking the new site design? in the forum Annoucements and Site Matters 11 years ago
Jack,
You're not exactly a New Member…. all of your previous posts and uploaded images are still here. And your post count remains. The site rating is based on a new points system which counts all involvement, not just forum posts. Pretty easy to accumulate points. Just visit the site, read some articles, post some comments, upload images or…[Read more]
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Josh Lehrer wrote a new post, Leica Announces M (Typ 240) Edition “Leica 60” Set 11 years ago
Today, as part of their Photokina announcements, Leica has released the M (Typ 240) Edition “Leica 60” Set which includes a unique Leica M-P (Typ 240) made from stainless steel that has no LCD screen and a stainless steel Leica Summilux-M 35mm f/1.4 ASPH FLE. Instead of the usual collection of buttons and menu settings, the camera has a simple ISO dial on the back similar to Leica's film M cameras and shoots an uncompressed DNG file. The official press release from Leica:
This year, Leica Camera AG, Wetzlar, is celebrating two special anniversaries. At Photokina 2014, the focus of the celebrations will not be exclusively on 100 years of Leica photography, but also on the 60th anniversary of the legendary Leica M rangefinder system.
The first Leica M-Camera to possess the unique characteristics of the Leica M-System was the Leica M3, presented in 1954. A camera distinguished by absolute mechanical and optical precision and a focus on the essential parameters needed for photography. A camera with functions that clearly placed the skills of the photographer in the foreground rather than any special features the camera offered. Continuously perfected over six decades, these unique characteristics, today in combination with the latest technological innovations, still differentiate the current Leica M models from other cameras.
And now, on the 60th anniversary of this legendary camera, Leica Camera AG presents a commemorative limited edition: the Leica M Edition 60. The set consists of a Leica M-P digital camera (Typ 240) and the fast Leica Summilux-M 35mm f/1.4 ASPH lens, both in special versions created by Audi Design that pay homage to the essence of photography and carry it back to its origins.
Reduced to only the essential camera features, the Leica M Edition 60 is the first digital camera to concentrate exclusively on the bare functions required for digital photography – shutter speed, aperture, focusing and ISO sensitivity. This is also the reason for the replacement of the camera’s display with an ISO selector dial. For reasons of quality, exposures are saved as raw data in DNG format. Working with the Leica M Edition 60 intentionally demands the same care and attention as working with an analogue model. Only the sensor and the entire electronics reflect the state of the art of contemporary camera technology.
With the Leica M Edition 60, photographers compose and frame each subject in the viewfinder, set the aperture and shutter speed and press the shutter release at the decisive moment. Instead of the constant distraction of technical features and the checking of menu settings and controls, they enjoy the freedom to concentrate completely on their subjects. With this concept, Leica is once again the synonym for an art in which technology plays a role subordinate to the essentially creative aspects of photography.
In addition to these unusual features, above all the exceptional finish of the products is an outstanding aspect of the Leica M Edition 60. Here, stainless steel – a material that is extremely difficult to work with – has been employed for the visible metallic elements of the camera and lens. Resistant and durable in equal measure, this material guarantees enduring value preservation and lends the products a refined character with a silky sheen. The premium look is further complemented by special anthracite-colored genuine-leather trim applied to the camera body.
Strictly limited to 600 examples worldwide, the cameras and lenses of the Leica M Edition 60 feature unique matching numbers between 001/600 and 600/600. The M-Cameras also bear the engravings ‘Leica 60’ and ‘Leica Camera Wetzlar’. The special edition includes a camera protector, also created by Audi Design.
The Leica M Edition 60 will be available starting October 2014.
To learn more about the Leica M Edition 60 set, visit Leica Store Miami's website, give us a call, or email us. This is a limited edition set and will sell out fast!
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Josh Lehrer wrote a new post, Leica Announces S (Typ 007) Medium Format Digital SLR 11 years ago
Today, as part of their Photokina announcements, Leica has introduced the Leica S (Typ 007), the highly anticipated successor to the Leica S (Typ 006) medium format digital SLR camera. The S (Typ 007) features a 37.5 megapixel CMOS sensor with live view, focus peaking, HD video up to 4K, integrated Wi-Fi and GPS, and an ISO range from 200-6400. The official press release from Leica:
With the Leica S (Type 007), Leica Camera AG, Wetzlar, presents the new top model of the Leica S-System. As a logical development of its predecessors, the new Leica S features a multitude of radically new components – like the Leica CMOS sensor and the Leica Maestro II image processor – and now opens up new dimensions in the field of medium-format photography.
For the first time, the combination of the highest burst rate, extreme sensor sensitivity and comprehensive capture modes for still pictures – and now also video in exceptional quality – provides photographers with the opportunity to exploit the superior imaging capabilities of medium format for productions that demand maximum mobility and drive. The Leica S significantly accelerates and simplifies the photographic workflow with a multitude of features that are unique to medium-format photography – and some of them not only there. In addition to the new body, a new lens also expands the capabilities of the S-System. With regard to speed and imaging quality, the Leica Summicron-S 100 mm f/2 ASPH. telephoto portrait lens represents a new benchmark.
New image sensor and new processor for increased quality and higher speed
Amongst the most remarkable innovations in the Leica S are the new Leica CMOS sensor and Maestro II image processor. Thanks to these, it has been possible to enormously increase the speed and versatility of the S-System and raise it to a level that was previously unheard of in the medium-format segment. With a burst frequency of up to 3.5 frames per second, full-HD video in full-frame medium-format sensor size and 4K video recording, fast Live View mode and exceptional imaging quality at all ISO settings, the Leica S (Type 007) once again documents its status as the benchmark in the medium-format segment. The 2 GB buffer memory ensures smooth shooting of rapid sequences and, despite its more than doubled burst rate capability, the new focal plane shutter in the camera offers a further significantly increased service life of at least 150,000 cycles.
Fast, predictive autofocus module for subjects in motion
The revised autofocus system brings not only higher speed, but also more reliable and more precise focusing. To ensure optimum sharpness and precise tracking of moving subjects, the Leica S (Type 007) features a predictive autofocus mode: the camera registers the motion of the subject and determines the distance to it at the moment of exposure. In combination with its fascinating imaging quality and high burst rate, the Leica S sets entirely new standards for professional medium-format action photography.
Integrated Wlan, GPS system and levelling aid for precision and uncomplicated workflows
The Leica S is currently the only professional camera to feature an integrated GPS module that can record the geographical positioning data of the momentary location in the Exif data of the image file whenever needed, as well as automatically set the local system time. On the basis of the coordinates, appropriate software installed on a computer, for instance the Adobe Photoshop Lightroom package supplied with the camera, can display the precise location of each image on a map and register the corresponding place names as search keys for archived photos. The new dual-axis levelling aid (spirit level) displays the precise horizontal and vertical orientation of the camera in the viewfinder to allow photographers to align the subject with absolute precision and without any need for external aids. In combination with an app for smartphones and tablets, the camera’s integrated Wlan module enables remote control of the camera and remote image assessment in Live View mode to provide simpler and intuitive workflows.
Optimised handling
With a resolution of 921,600 pixels, a 3″ diagonal, full sRGB colour space and increased contrast and brightness, the display allows optimum assessment of subjects and images in every situation. The glass plate protecting the monitor is manufactured from tough and scratch-resistant Corning Gorilla Glass.
The panel on the top deck of the Leica S has been redesigned as a trans-reflective display with a larger area and optimised information content to ensure optimum legibility – even in bright sunlight. Two new control elements on the top deck enable direct selection of Live View mode and the activation of video recording.
Lifespan
Leica S-Cameras are designed and constructed for many years of daily use. The new stainless-steel bayonet guarantees even greater endurance under even the toughest conditions. The Leica S (Type 007) possesses all the proven quality characteristics of the S-System. These include the large 30 × 45 mm Leica Pro Format sensor and its micro-lens layer that guarantees consistently uniform brightness from corner to corner. The camera and S-Lenses are extremely ruggedly built and sealed against environmental influences like dust and rain. The system’s unique dual-shutter concept offers photographers the choice of using the camera’s fast focal plane shutter with speeds up to 1/4000 s or the electronically controlled central shutter of the CS lenses that allows flash sync at all shutter speeds up to 1/1000 s. The ten currently available Leica S-System lenses, six of which are also available with a central shutter, offer photographers all important focal lengths and a first-class tilt/shift lens. At the same time, numerous third-party medium-format lenses can be mounted on the Leica S with adapters: for instance the Leica S-Adapter H for Hasselblad H lenses and the Leica S-Adapter C for Contax 645 lenses, both of which provide full compatibility – including autofocus, central shutter control (Hasselblad) and automatic aperture control.
The Leica S is uncompromisingly built for maximum dependability in use and also features details like cable connections with strain relief, separate slots for CompactFlash and SD memory cards, further optimised energy efficiency and a scratch-resistant display. The Leica S therefore stands alone as an ideal and extremely reliable tool for achieving maximum quality results in the studio and on location under even the most unfavourable conditions.
The Leica S is supplied complete with the Leica Protection Plan. The LPP offers photographers an extended warranty for a period of three years, a replacement camera to cover repair times and numerous other benefits.
The launch of the Leica S (Type 007) is planned for Spring 2015.
This is a HUGE update for the S-System and is one of the most significant announcements at this Photokina. You can learn more about the S (Typ 007) at Leica Store Miami's website, or you can give us a call or email us anytime.
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Hi, is this the Sony cmos chip or the CMOSIS sensor?
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The sensor is a Leica/CMOSIS chip, similar in architecture to the one used in the M (Typ 240), with a 6µ pixel pitch. I'm told that the with the second generation MAESTRO II processor, we might even see better high ISO performance in the S (Typ 007) than in the M.
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Any idea when image samples will be available? Also, is the S-E essentially the previous Type 006?
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Any idea when image samples will be available? Also, is the S-E essentially the previous Type 006?
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David, will you be doing an in depth review?
I see the value of greater iso and fps but surprised by the static pixel count, can you shed any light on Leica's intended market for this camera?-
I plan on doing a full S System write-up today or tomorrow. Stay tuned!
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I'm presently working on a write-up now. Getting pretty late/early here but so much information!
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Josh Lehrer wrote a new post, Leica Announces Silver Noctilux-M 50mm and Summilux-M 35mm Lenses 11 years ago
Today, as part of their Photokina announcements, Leica has released silver anodized versions of two of their most popular M-System lenses: the Leica Summilux-M 35 mm f/1.4 ASPH FLE Silver Anodized and the Leica Noctilux-M 50 mm f/0.95 ASPH Silver Anodized. Unlike some of Leica's previous silver chrome lenses which were made from brass and quite a bit heavier than their black chrome counterparts, these two new lenses are made from aluminum and do not weigh any more than the black versions. Optically they are identical to their counterparts in black chrome as well. The official press release from Leica:
Leica Camera AG, Wetzlar now offers two of the fastest Leica M-Lenses, the Leica Noctilux-M 50mm f/0.95 ASPH and the Leica Summilux-M 35mm f/1.4 ASPH, in an alternative silver anodized finish. The technical specifications of both lenses are identical to those of their serially produced counterparts. Whether in classic black or elegant silver, the two lenses offer exceptional imaging performance and enormous versatility, particularly when shooting in available light.
As the world’s fastest aspherical lens, the Leica Noctilux-M 50mm f/0.95 ASPH represents a milestone in lens construction and possesses a unique performance spectrum. At its maximum aperture, its extremely shallow depth of field enables the creation of portraits and detail studies characterized by inimitable aesthetic qualities. When used for available-light photography, the lens actually exceeds the perceptive capabilities of the human eye and delivers outstanding imaging results. Due to the very natural reproduction of perspectives and proportions by its 50mm focal length, it is also an ideal universal lens that allows true-to-life rendition of subjects under normal lighting conditions.
The Summilux-M 35mm f/1.4 ASPH combines a moderate wide-angle character with natural reproduction of proportions and is therefore also an extremely versatile lens. Regardless of whether it’s a matter of selective focus in the close-up range, high-contrast available-light applications or landscape shots with immense depth of field, the lens delivers persuasive arguments in any situation. Its focal length of 35mm, the classic for reportage photography, makes it ideal as the first lens for newcomers to Leica M-Cameras, while its low weight and particularly compact size make it perfect as part of a lightweight M-System for travel photography.
As is the case for all Leica lenses, the Leica Noctilux-M 50mm f/0.95 ASPH and the Leica Summilux-M 35mm f/1.4 ASPH are designed and constructed by Leica optical specialists and combine the best of optical and mechanical expertise. As particularly reliable products with enduring value, they are made in Germany from only the finest materials and assembled in an elaborate process entirely by hand. The combination of cutting-edge technologies and painstaking manufacturing procedures guarantees consistently excellent quality.
Both lenses in silver anodized finish will be available from the end of October 2014.
To see more images, tech specs, and to place an order you can see the lenses on Leica Store Miami's website. Feel free to give us a call or email us anytime with questions.
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Josh Lehrer wrote a new post, Leica Announces New Summarit-M Lenses 11 years ago
Today, as part of their Photokina announcements, Leica has released a full range of new Summarit-M lenses, available in black or silver chrome. The official press release from Leica:
Leica Camera AG, Wetzlar, presents a new generation of Leica Summarit-M-Lenses. In comparison with the previous models, these new lenses with a maximum aperture of f/2.4 offer improved performance characteristics and new lens design. The range of focal lengths available in the Leica Summarit-M-Lens family remains the same, with 35, 50, 75 and 90mm. For the first time, they are now available in a choice of black and silver anodized finishes.
Manufactured using cutting-edge technologies, the Leica Summarit-M-Lenses provide exceptional imaging quality in all photographic situations. As is the case for all Leica lenses, they are designed and constructed by Leica optical specialists and combine the best of optical and mechanical expertise. As particularly reliable products with enduring value, they are made in Germany from only the finest materials and assembled in an elaborate process entirely by hand. The combination of cutting-edge technologies and painstaking manufacturing procedur
es guarantees consistently excellent quality. In summary, in the Leica lens portfolio, the Leica Summarit lenses represent an ideal compromise between lens speed and compact size.
The Leica Summarit-M 35mm f/2.4 ASPH is the smallest and lightest 35mm lens in the Leica rangefinder system. It is the only lens of the new generation of Leica Summarit-M-Lenses to feature an aspherical lens element.
Its high performance, light weight and easy handling make the Leica Summarit-M 50mm f/2.4 a particularly versatile lens. The angle of view of this lens corresponds to the field of view and normal vision of the human eye and offers impressively neutral and natural perspectives and proportions. It delivers high contrast, perfect image field flatness and impressive color correction.
The Summarit-M 75mm f/2.4 is significantly more compact than other M-Lenses with similar focal lengths and achieves outstanding imaging performance. In comparison to its predecessor, the new lens now has a closest focusing distance of only 0.7 meters. In combination with the 35mm Summarit-M, it makes up an ideal pair of lenses for exploring the fascinating world of creative image composition.
The Leica Summarit-M 90mm f/2.4 rounds off the family of Summarit-M-Lenses with an extremely versatile telephoto lens. This particularly compact lens offers ideal handling and is characterized by exceptional optical and mechanical quality. The closest focusing distance was reduced for this lens, too, to 0.9 meters
The 75 and 90mm Leica Summarit-M-Lenses will be available from September on and will be followed by the 35 and 50 mm lenses from October. The lenses are sold complete with a lens hood and a metal lens cap.
This is an especially exciting announcement from Leica and gives M-System users many new choices for lenses to use. The silver lenses especially would work beautifully on a silver Leica T with the M-Adapter-T. The Leica Summarit-M 35mm f/2.4 ASPH could prove to be a popular new lens, as it combines Leica's legendary aspherical lens image quality with a compact size and reasonable price. To see the full tech specs of these lenses, check them out on Leica Store Miami's website and don't hesitate to email us with any questions. Links for the individual lenses are below:
Leica Summarit-M 35mm f/2.4 ASPH Black Anodized Finish
Leica Summarit-M 35mm f/2.4 ASPH Silver Anodized Finish
Leica Summarit-M 50mm f/2.4 Black Anodized Finish
Leica Summarit-M 50mm f/2.4 Silver Anodized Finish
Leica Summarit-M 75mm f/2.4 Black Anodized Finish
Leica Summarit-M 75mm f/2.4 Silver Anodized Finish
Leica Summarit-M 90mm f/2.4 Black Anodized Finish
Leica Summarit-M 90mm f/2.4 Silver Anodized Finish
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Josh Lehrer wrote a new post, Leica Announces D-LUX (Typ 109) Digital Camera 11 years ago
Today, as part of their Photokina announcements, Leica has introduced the new Leica D-LUX (Typ 109) digital camera, which replaces the venerable Leica D-Lux 6. The new D-LUX features a large 4/3 image sensor with a 12.8 megpixel resolution, built in Wi-Fi, 4K video, an integrated electronic viewfinder and a number of mechanical manual controls including a shutter speed dial and aperture ring. The official press release from Leica:
Leica Camera AG, Wetzlar, presents a new model in the Leica D-Lux line. The high-performance Leica D-Lux compact camera features a fast Leica DC Vario-Summilux 10.9–34 mm f/1.7–2.8 ASPH. zoom lens with a very fast initial aperture and an extremely practical zoom range equivalent to 24 to 75 mm in 35 mm format. In comparison to the previous model, it offers a larger Four Thirds sensor that, in combination with its lens ensures superior picture quality in all shooting situations. The familiar, extensive package of features, with automatic mode, manual setting options and improved video capability, now includes an integrated electronic viewfinder with 2.8 MP resolution and a Wi-Fi module. Together with its intuitive handling concept, the Leica D-Lux in classically elegant camera design is an ideal companion for capturing unique moments in pictures of impressive quality with a high level of creative freedom.
The Leica DC Vario-Summilux 10.9–34 mm f/1.7–2.8 ASPH. zoom lens of the Leica D-Lux is perfectly matched to the camera’s large sensor. With an impressive maximum ISO sensitivity of 25600, the D-Lux guarantees pictures with natural colours and exceptional quality above all when used for available-light photography. In addition to this, its versatile zoom lens makes it an ideal camera for almost all genres of photography – from portraits to landscapes, architecture to macro, and reportage photography, the classical domain of Leica cameras.
The camera’s video capability adds even greater versatility and allows the recording of moving pictures in 4K, the high-definition, digital video format with four times higher resolution than full HD.
The Leica D-Lux is also the first camera of the D-Lux line to offer an integrated Wi-Fi module that allows remote control of the camera from a smartphone or tablet – a particularly useful feature, for example, for shots with the self-timer function. The Leica Image Shuttle app required for this function can be downloaded free of charge and installed on iOS or Android devices. The camera can also transfer still pictures and videos via a WLAN connection. An integrated NFC (Near Field Communication) module quickly and easily sets up a Wi-Fi connection with an NFC-compatible smartphone when the phone is held close to the camera.
The Leica D-Lux is distinguished by classically elegant, timelessly beautiful design with particular attention to simple and intuitive handling. As the prime consideration is always the picture, and distractions must be kept to a minimum, the change between automatic and manual modes is also particularly simple. The sharp, high-contrast image in the camera’s integrated electronic viewfinder displays the same exposure settings as shown on the monitor screen and ensures that the ideal composition of every subject is quickly found. Pictures can be viewed directly and reliably assessed on the high-resolution 3″ LCD monitor screen – even in bright sunlight.
An extensive range of technical equipment and premium bags and cases is also available for the Leica D-Lux: for example, a leather case, a leather protector and the Leica Twist D-Lux.
The Leica D-Lux will be available from November 2014. The camera comes complete with a Leica CF D flash unit. The camera package also includes Adobe Photoshop Lightroom, the professional workflow solution for still picture and video processing, available as a free download after product registration.
To learn more about the new Leica D-LUX (Typ 109) you can check out the camera on Leica Store Miami's website. Give us a call or email us anytime with questions.
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Josh Lehrer wrote a new post, Leica Announces V-LUX (Typ 114) Digital Camera 11 years ago
Today, as part of their Photokina announcements, Leica has introduced the new Leica V-LUX (Typ 114) digital camera, which replaces the well-regarded Leica V-LUX 4. The V-LUX (Typ 114) features a new, larger sensor, integrated Wi-Fi, 4K video, and even a manual focus ring. It should prove to be an incredible all-around shooter especially for users who need the reach that the telephoto zoom lens provides. The official press release from Leica:
With the Leica V-LUX (Typ 114), Leica Camera AG, Wetzlar, presents the next generation model of the Leica V-LUX product line. The new digital compact camera combines a high-performance lens, superior imaging qualities and high speed in a compact and handy form. Its Leica DC Vario-Elmarit 9.1–146 mm f/2.8–4 ASPH. super-zoom lens offers an enormously broad spectrum of capabilities from macro to extreme telephoto photography and, in combination with its versatile package of features, makes it the ideal all-round camera to take along wherever you go.
For travelling, sports or other outdoor activities, the Leica V-Lux is simply the ideal camera for every situation. Thanks to its zoom range of 25 to 400 mm (equivalent in 35 mm format), time-consuming lens changes and the weight of additional equipment are now a thing of the past. It covers every photographic situation from wide-angle, standard and telephoto photography to macro close-ups down to a distance of only 3 cm from the subject. With initial apertures of f/2.8 (wide angle) and f/4 (telephoto), its Leica DC Vario-Elmarit 9.1–146 mm f/2.8–4 ASPH. lens enables sharp and finely detailed exposures, even of distant subjects. Also in unfavourable light and at high ISO settings, the large 1″ sensor of the Leica V-Lux guarantees exceptionally bright and clear pictures and this, in combination with the high speed of the lens, considerably expands the creative scope offered by the camera.
Its fast autofocus system provides even greater versatility, responds immediately to changes within the image frame and makes it possible to reliably capture fast-moving subjects – for example, the action at sporting events. Users also benefit from this when shooting continuous sequences, as the V-Lux can capture up to 12 frames per second at full resolution.
The performance package also includes a new video function for moving pictures in 4K high-definition digital format, with a resolution four times higher than full HD.
The design of the Leica V-Lux is characterised by compact size and extremely easy handling. Its integrated handgrip keeps it steady in your hand, and its light weight even lets you shoot using only one hand. All of its controls are clearly laid out and simple to use. This leaves photographers more time to concentrate on the picture that, thanks to the multi-axis rotate-and-tilt function of its 3″ LCD monitor screen, can also be captured with ease from almost any angle. All camera settings are displayed in the integrated, 2.4 megapixel, OLED electronic viewfinder and on the monitor screen.
The Leica V-Lux has an integrated Wi-Fi module that allows remote control from a smartphone or tablet and wireless transfer of still picture and video data via a WLAN connection. The Leica Image Shuttle app required for this function can be downloaded free of charge and installed on iOS or Android devices.
The Leica V-Lux will be available from October 2014. The camera comes complete with Adobe Photoshop Lightroom, the professional workflow solution for still picture and video processing, available as a free download after product registration.
To learn more about the new Leica V-LUX (Typ 114) or to place an order, you can visit Leica Store Miami's website. Don't hesitate to email us or call anytime with questions.
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Josh Lehrer wrote a new post, Leica Announces X (Typ 113) and X-E (Typ 102) Cameras 11 years ago
Today, as part of their Photokina announcements, Leica has introduced two new X cameras: the Leica X (Typ 113) and the Leica X-E (Typ 102). The new X (Typ 113) takes design cues from the X Vario and features a 23mm f/1.7 lens equivalent to a 36mm f/1.4 lens (on a full frame 35mm camera), and comes in two colors: black and silver chrome. The Leica X-E (Typ 102) replaces the Leica X2, retaining all of the technical features of the X2 but comes with a new body finish and leather covering. The official press release for the X (Typ 113):
Leica Camera AG, Wetzlar, presents a further model in the Leica X line: the new Leica X – made in Germany. Featuring a new Leica Summilux 23 mm f/1.7 ASPH. prime lens and a sensor that is particularly large for this camera class, it captures exceptionally brilliant pictures. Its versatility is further expanded by a video function for moving pictures in full-HD quality. Together with an extensive range of setting options and an intuitively simple handling concept, the Leica X unites everything that defines the art of photography in an iconic Leica design statement: the joy of seeing unforgettable moments in a particularly personal way.
As is the case with all cameras in the Leica X line, the Leica X features a professional APS-C-format CMOS sensor with over 16.5 megapixels (effective 16.2 megapixels) that, in combination with its fast Leica Summilux 23 mm f/1.7 ASPH. lens, ensures maximum imaging quality and pictures with natural color rendition and the finest reproduction of details. The crop factor of the sensor is 1.5 in comparison with 35 mm film format. The angle of view of the lens of the Leica X is therefore equivalent to that of a 35 mm in full-frame format – one of the classic prime lenses – and makes it extremely versatile and ideal for reportage photography. Thanks to a very fast initial aperture of f/1.7, the Leica Summilux 23 mm f/1.7 ASPH. creates exceptionally beautiful bokeh. It is almost completely insensitive to flare and ghosting effects and delivers bright, clear and incredibly sharp photos – from infinity to its closest focusing distance of 0.2 meters.
The Leica X is distinguished by timeless elegance, a clarity of design that is tightly focused on the essential as well as the highest quality with regard to the materials and finish of even the tiniest details. Everything is in high-quality metal – from the body and the control elements to the optimized thumb switch and the lens cap. The front and rear body shells are made of magnesium and the top deck and base plate from anodized aluminum. In combination with its premium leather trim, the Leica X is a true Leica in both look and feel. The camera is available as a discreet black version with color-matched leather trim or as an elegant silver version with brown leather trim.
Thanks to its clearly laid-out functions and simple operating concept, intuitive handling is a key feature of the Leica X. At the same time, it offers an impressive range of automatic and versatile manual setting options. Thanks to the ease of switching between manual and automatic control, photographers can concentrate completely on composing their subjects and choosing the decisive instant to shoot in any situation. In live-view mode, its large, high-resolution display offers photographers complete control in every situation.
The features offered by the Leica X open up new creative horizons and a broad spectrum of options, ranging from spontaneous snapshots to available-light photography. The fast, precise, and almost-silent autofocus of the Leica X is ideal for spontaneous and discreet photography. The camera shutter is released as soon as the autofocus locks on to the subject – with no lag at all. The opportunities offered by manual focusing with the focusing ring on the lens guarantee an ideal symbiosis of technical capabilities and imaginative creativity. In addition, the new Leica X features a video function for capturing moving pictures in full-HD quality. The videos are recorded at a resolution of 1920 × 1080 pixels and 30 full frames per second and saved in the popular MP4 format.
An extensive range of technical equipment, bags and cases is also available for the Leica X (visit http://www.leica-camera.com for more information). Also new is the Leica Digiscoping Adapter. This allows the use of the X camera on the Leica APO-Televid 82 and APO-Televid 65 spotting scopes. No other connector between a spotting scope and a camera is as stable and simultaneously easy to use. Combined as a set, this gives wildlife watchers and photographers an opportunity to take photographs with a variable focal length from 850 to 3100 mm.
Adobe Photoshop Lightroom®, a professional digital workflow solution for Apple Mac® OS X and Microsoft Windows®, is also included in the X package. This image-processing software offers a wide range of functions for the management, processing and presentation of digital images. Leica X customers can download the software free from the Leica website after registering their camera.
The Leica X (Typ 114) will be available from September 2014.
And the press release for the X-E (Typ 102):
With the Leica X-E, Leica Camera AG, Wetzlar, is expanding the Leica X family with a new camera model made in Germany. The particularly compact and lightweight X-E has all the features that characterize a Leica camera: an outstanding fast lens, the best materials and a premium finish. The camera also features an unmistakable design that, in the case of the X-E, is further emphasized by special details – like the titanium look of its body and control elements matched to its silver lens. Leather trim in the color metallic rounds off its elegant looks.
With technical specifications based on the X2, the Leica X-E has a professional APS-C-format CMOS sensor with over 16.5 megapixels (effective 16.2 megapixels) that ensures maximum picture quality, natural color rendition and richly detailed pictures. Its CMOS image sensor is unusually large for a camera in this class. Despite its high resolution of over 16 megapixels, each individual pixel on the sensor is very large and therefore gathers more light. The benefit of this is low image noise, a high dynamic range and accurate color differentiation. The crop factor of the sensor is 1.5 in comparison with 35 mm film format. This means that the Leica Elmarit 24 mm f/2.8 ASPH. lens of the LEICA X-E becomes a universal reportage lens with an effective equivalent focal length of 35 mm in 35 mm film format. This is considered to be a classic focal length among prime lenses and has captured innumerable iconic images. The moderate wide-angle character and natural rendition of dimensions by the high-performance lens of the X-E open up a broad spectrum of different options for capturing those decisive moments in outstanding authentic and richly detailed picture quality.
Thanks to its simple operating concept, the Leica X-E offers clearly laid-out functions and intuitive handling. At the same time, it offers an impressive range of automatic and versatile manual setting options. Thanks to the ease of switching between manual and automatic control, photographers can concentrate completely on composing their subjects and choosing the decisive instant to shoot in any situation. What’s more, its fast autofocus enables exceptionally precise and nearly inaudible focusing. All this makes the Leica X-E an ideal companion for capturing fantastic pictures with sparkling quality in even the most spontaneous situations. In live-view mode, its generously sized, high-contrast 2.7″ monitor offers photographers constant control of composition, framing and exposure.
The elegant design of the Leica X-E is dedicated to compact ergonomics and ease of use. At the same time, its lightweight but rigid full-metal body lends it particular robustness. The use of premium materials in its construction and its finishing with a passion for details make it a genuine Leica camera in both look and feel.
The Leica X-E will be available from September 2014.
To learn more about Leica's new X cameras, you can visit Leica Store Miami's website, give us a call, or email us anytime.
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Josh Lehrer wrote a new post, Leica Announces Two New T-System Lenses 11 years ago
Today, as part of their Photokina announcements, Leica has announced two new lenses for the Leica T-System. They are the Leica Super-Vario-Elmar T 11-23mm f/3.5-4.5 ASPH (equivalent to about 17-35mm on full frame 35mm) and the Leica APO-Vario-Elmar-T 55-135mm f/3.5-4.5 ASPH (equivalent to about 80-200mm). These two lenses were previewed at the initial T launch this past April and are now officially entered into the Leica T-System. With the addition of these two lenses, T users can have a full range of focal lengths from (equivalent) 17-200mm with just three lenses. The official press release from Leica:
Leica Camera AG, Wetzlar, presents two high-performance lenses for the Leica T camera system at Photokina 2014: the Leica Super-Vario-Elmar T 11-23mm f/3.5-4.5 ASPH wide-angle lens and the Leica APO-Vario-Elmar-T 55-135mm f/3.5-4.5 ASPH telephoto lens.
With a zoom range equivalent to 17 to 35 mm in 35 mm format, the Leica Super-Vario-Elmar T 11-23mm f/3.5-4.5 ASPH offers excellent sharpness for particularly wide-coverage shots. It is ideal for capturing the beauty of architecture, richly detailed street views, imposing landscapes and expressive scenes you may find on your travels. A zoom range equivalent to 80 to 20 mm in 35mm format makes the Leica APO-Vario-Elmar-T 55-135mm f/3.5-4.5 ASPH particularly versatile. It is suitable for characterful portraits, exciting shots at events, vibrant travel and wildlife shots and capturing the action at sporting events.
Both lenses will be available beginning in January 2015.
To see the full tech specs of these new lenses, you can check them both out on the Leica Store Miami website. If you have any questions or wish to place an order, don't hesitate to call or email us.
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Nico,
For now, on the pre-production samples at the show, yes. There is the same 125 second limit. I specifically asked both product managers, as well as Dr. Volker Zimmer, head of R&D, if the exposure time could be longer. They absolutely want to offer longer exposures, but refuse to sacrifice any degradation in image quality. The repeated mantra at Leica, from everyone, is that delivering the highest quality level is the number one priority. Features will only be added if they meet internal criteria. So, the short answer is that, yes, hopefully we will see longer exposures by launch time, but Leica will not officially promise this.
Hope this helps.
I went to the Phase One IQ260 from the S because of the lack of long exposure times. If they could do 5 minutes then I would likely go back the the S. One of the things I hate about Phase One is that you must use their software when doing long exposure as LR will not handle the dark frame subtraction with their file format. I'll be interested to see what they do with the final release.
David-
What a series of improvements!
The Leica express continues to roll unimpeded through photoland!
I was gratified to hear about the hyperfocal solution and my question relates to the accuracy of using the infinity measure. Puts and others state that the bars on the M lenses as well as other camera lenses are not as accurate for digital as they were intended for the more forgiving analog. Has Leica tested and validated these measurements in the field….
Albert
Scott,
My understanding is that the live DOF readout will not be able to be added via firmware to the S 006 and will only be available on the new S 007. Of course, Leica was able to incorporate the new AF algorithms into the S 006 with the latest firmware, so there might be a way. We will have to see.