• Lowering price to $1950 plus $50 shipping.

  • Lowering price to $695.

  • In late 2014, Leica publicly acknowledged an issue with some of the CCD sensors used in their M9, M9-P, M-E, and Monochrom cameras where corrosion spots may appear in images. They began replacing the defective […]

  • Here was a spontaneous take – in the excitement of a good catch, I'm lucky to get five seconds of a pose for composing these shots. For some reason the camera didn't focus on anything in particular, yet I had full winter sunlight, so the fish or the fisherman should have been in focus. I've mostly been using the highlight/shadow (-2 / +2)…[Read more]

  • Did Leica charge anyone for these repairs, out of warranty?

  • My wife Ruth and I ventured into the Atacama Desert in December 2013 with John Paul Caponigro and Seth Resnick of Digital Photo Destinations. The Atacama is one of the oldest, driest and highest deserts in the world, spanning Northwest Argentina, North East Chile and Southern Bolivia. The Argentinian portion of the Atacama Desert is called the Puna and was to be our photographic playground for this trip. This section of desert made for a particularly unforgiving environment. The trek was very difficult, but the stunning beauty and surreal desolation of this desert made the effort worthwhile.

    ARGENTINA

    Leica S (Typ 006) with Vario-Elmar-S @ 90mm, f/5.6 @ 1/3000th, ISO 400

    ARGENTINA

    Leica S (Typ 006) with Vario-Elmar-S @ 90mm, f/9.5 @ 1/1000th, ISO 400

    I brought my two Leica S (typ 006) bodies  along with my Vario-Elmar-S 30-90mm f/5.6 ASPH, Super-Elmar-S 24mm f/3.5 ASPH,  Summarit-S 70mm f/2.5 ASPH,  APO-Macro-Summarit-S 120mm f/2.5 and APO-Elmar-S 180mm f/3.5 ASPH. Because of the dust, all lenses had a B&W F-Pro UV filter and both bodies and all lenses were protected by Storm Jacket Camera Covers. I made sure to perform all lens changing inside our four-wheel drive vehicles with the windows closed and the motor off. Rigorous cleaning and inspection took place each night on return from the field.  Ultimately, I am happy to report that all bodies and lenses performed flawlessly in spite of the harsh environment.

    The first highlight was the immense wind-cut volcanic pumice fields spanning 60 square miles. The individual stones, some up to 50 feet in height, were mind-boggling in both their awesome size and natural beauty. We spent several days and evenings wandering the fields and letting our creative imaginations fly.

    ARGENTINA

    Leica S (Typ 006) with 120mm APO-Macro-Summarit-S, f/6.8 @ 1/1500th, ISO 200

    ARGENTINA

    Leica S (Typ 006) with Vario-Elmar-S @ 90mm, f/8 @ 1/2000th, ISO 400

    ARGENTINA

    Leica S (Typ 006) with 24mm Super-Elmar-S, f/3.5 @ 16 sec, ISO 800

    ARGENTINA

    Leica S (Typ 006) with 24mm Super-Elmar-S, f/8 @ 1/1000th, ISO 200

    The APO-Macro-Summarit-S 120mm f/2.5 and the Super-Elmar-S 24mm f/3.5 ASPH lenses were both exceptionally useful in these fields, but I found myself using the 24mm most frequently as the ultra-wide perspective really lent itself to the landscape.

    There are several small and very remote villages in the desert, nestled in the mountainous terrain. We stopped in the tiny farming village of Autofagasta de La Sierra. Certainly a far cry from city life with a population of less than 700 residents, but quite photogenic.

    ARGENTINA

    Leica S (Typ 006) with Vario-Elmar-S @ 67mm, f/5.1 @ 1/500th, ISO 400

    ARGENTINA

    Leica S (Typ 006) with 120mm APO-Macro-Summarit-S, f/4 @ 1/3000th, ISO 800

    The last part of our journey in the Atacama was to a series of vast natural salt flats. Argentina has one of the largest reserves of lithium in the world and the industry is quite robust. Fortunately, the mining operations have been careful not to compromise the striking beauty of this eerie landscape.

    ARGENTINA

    Leica S (Typ 006) with 24mm Super-Elmar-S, f/11 @ 1/500th, ISO 200

    ARGENTINA

    Leica S (Typ 006) with Vario-Elmar-S @ 30mm, f/13 @ 1/320th, ISO 200

    ARGENTINA

    Leica S (Typ 006) with 24mm Super-Elmar-S, f/9.5 @ 1/250th, ISO 200

    ARGENTINA

    Leica S (Typ 006) with 24mm Super-Elmar-S, f/8 @ 1/350th, ISO 100

    ARGENTINA

    Leica S (Typ 006) with 24mm Super-Elmar-S, f/4 @ 1/250th, ISO 400

    You can see more pictures along with an accompanying article in the LHSA Viewfinder (2014), Volume 47, pages 34 to 43.

     

  • Hi Jack (never say that at the airport BTW) – the triptch saved at 3.16 mb, while the diptych saves now at only 316 kb, and a small size, so I can't compare them. It couldn't be the forum change I don't think, since I can view the 3.16 mb images at full size now.

  • Duplicate – ignore.

  • This project started on the T forum images to share.
    I had shot a scene with my T as a triptych.
    I said I would revisit it with an S which I subsequently did. The image is also shown on the T site for comparison to the triptych.

    This is a seven image merge of a S with a 24mm lens shooting vertically. Probably more images to merge than needed. The…[Read more]

  • Diptych attached

  • Back in August, I said I would return to this location with the S and reshoot the scene.
    As I did, I realized it would be a better diptych than triptych.

  • Today, Leica Camera has announced a special new set which provides an affordable entry into the world of Leica M photography. The set consists of the Leica M-E digital rangefinder, the Leica Summarit-M 50mm f/2.5 and the Leica Summarit-M 75mm f/2.5 lenses. Normally, to purchase these items individually would cost $8,895 ($8,395 until March 31 when Leica's promotion on M lenses ends), however this set is available for $6,500: a savings of $2,395.

    The Leica M-E represents the “essential” M and features Leica's full-frame, 18 megapixel CCD sensor in a unique, anthracite grey body designed to provide a streamlined user experience. The Summarit 50mm and 75mm lenses are compact, lightweight and fast focusing Leica lenses that pair perfectly with the M-E. The new Leica M-E Set is available in limited quantity at Leica Store Miami.

    If you have any questions about the set, please don't hesitate to email or call at 305-921-4433.

  • TOR JAKOB RAMSOY became a registered member 11 years, 6 months ago

  • Testing out the 11-24

  • Unfortunately my CS120 just became victim to the same issue.

    Whirling noise, no AF. Had to remove the battery to stop it. Cleaned contacts etc, etc. no go,

    Stopped right in the midst of a fashion shoot with an expensive model. Other lenses are fine.

    What a massive PITA!

    Seems I can't complete a shoot without some issue with the S system.

    – Marc

  • Klaus P. Schaefer became a registered member 11 years, 6 months ago

  • Well I would like a truly long lens, well beyond 200mm equiv. I could use 400 to 600mm equiv.

    In the meantime, I appreciate my new wide zoom which has no purple in high contrast. See image.

  • Still available….great available light lens which covers a lot of territory carrying only one large lens…..used it with Profotos, but limited to 1/125 FP shutter speed….there is so much resolution from center to corners, I certainly had to look hard to find softness in at the edges, even on landscapes….

    John

  • ThumbnailAt launch, the Leica T-system was available with two lenses: the Leica Vario-Elmar-T 18-56 f/3.5-5.6 ASPH (equivalent to a 28-85mm) and the Leica Summicron-T 23mm f/2 ASPH (equivalent to a 35mm) with the promise […]

    • Josh,
      Thanks for a great review of a great lens.
      I agree with you that it is an excellent choice for architecture and street photography.
      I like you shots, and of course the required dog.

      Letting you test the lens didn't slow up my getting the lens since I was driving across the west while you were testing.

      The build and handling of this lens exceeded my expectations. The image quality also.

      Jack

    • Josh,

      You really know how to show off a lens. Well done. It looks like an exceptional lens, especially considering it is a wide zoom. Knowing Jack, he will get some great images with it.

      Mark

    • hello

    • I’ve been digging through travel blogs for weeks now trying to plan a proper getaway, and honestly, the biggest headache is always finding a place that actually matches the photos. A buddy of mine who travels for work kept raving about this one spot he found, saying the service was next level and the views were unreal. He specifically mentioned that booking through https://www.globalluxurysuites.com/ saved him from a few shady listings he almost fell for. I’m finally convinced to give it a shot because I’d rather pay a bit more for transparency than deal with hidden fees or dirty sheets. Has anyone else had a surprisingly smooth booking experience lately? I feel like word of mouth is still the most reliable way to go.

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