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aboudd;4410 wrote: Well, that's a nice bit of news. I have been setting the mirror lock-up and self-timer together since I got my S2. Did I miss this in the manual somewhere or is this an Easter egg?

I actually don't know if it is in the manual or not, but here is an excerpt from my S2 review (published November…[Read more]

Well, that's a nice bit of news. I have been setting the mirror lock-up and self-timer together since I got my S2. Did I miss this in the manual somewhere or is this an Easter egg?

Pete,
There was 25% sharpening applied, plus some exposure work in the previous images.

Here is an untouched out of camera shot, nothing applied. Followed by the cropped and spotted and sharpened and exposure adjusted, etc.

Attached files

Another thing to check is that in order for the camer to remember sticky settings like custom function assignments and focus mode, you should turn the camera off via the switch then turn back on. The memory card light should illuminate for a few seconds then turn off. If you change settings, but let the camera go to sleep before you manually power…[Read more]

Jack,

Great stuff. Thanks for posting.

We haven't had an opportunity to really test the lens in real-use scenarios. Your architectural shots speak volumes on the performance of this very wide S lens. We are expecting to have a 24mm on our Florida Keys and Everglades workshop in a couple weeks, along with the 30-90mm. Hopefully, Josh and…[Read more]

Hi Jack,

Thanks a lot. 🙂

Looks pretty impressive. Are these out of camera (except of the last one) and if not, what have you done to the files in terms of sharpening and lens corrections?

It looks to me that you already have at f/11 some diffraction, but the performance is still pretty nice.

Looking forward to more pictures…[Read more]

Here is the third photo cropped to final. It is a 48″ wide photo on paper.

Attached files

OK Pete, here are the tripod shots at f11 or more.
Most full frame, unless I needed to slightly straighten. One is shown both before crop and after.
Leveling remains a challenge even with bubble levels. The S would help right?

The very edge of the corners seems ever so slightly a bit soft when pixel peeping. So it would be visible in 6…[Read more]

My personal choice is the Dell and the main reason is that it has a much bigger hard drive.

Thanks for posting these Jack.

I would love to see some made with a tripod.

Cheers,
Pete

Jack

Very nice ! The S lenses really do seem to be at a level of perfection I never seen in any system .

One more just for Josh who apparently likes car photos. 96% full frame, f6.8

Attached files

Hi guys, any further experience with the 30mm?
Does it do the job for you? Are you satisfied?
Any comparisons with the 30-90 zoom?

It's possible, because your settings should not be reset that quickly!

I can also confirm that the new S hand grip works just fine on the S2. I tested it here at the store, the grip reads the extra battery just fine.

Thanks Josh

The camera just came from Germany but I will dig a little deeper to see if there's
a power saving feature enabled in the menu that might be prompting the camera
to go into an early sleep mode.
What I have sorted out, though, is that the resetting occurs much more quickly
when I am shooting straight down (on tripod) as…[Read more]

It's a clever idea but I agree with the posters above, the eyepiece cap stays in the box. I believe the part costs somewhere around $50 to replace from Leica. I haven't found a scenario where I need it.

Mark:

The S2 should not reset ANYTHING unless you turn the camera off (or it goes to sleep) or pull the battery out. If the camera is changing your settings while it is still on, then something is not right with the camera. The “drive mode” and mirror lockup settings are both reset to default (they are not sticky) when the camera is turned…[Read more]

Coral Gables, Miracle Mile 😉

*No Models were hurt in the making of this picture.

peterv;4387 wrote: Hi Pete,

thanks for sharing these images. They look fantastic, and I personally like seeing the S being used for reportage/documentary.
I love the look of the 120 mm wide open and I think this approach gives the series a very distinctive look. Very interesting! I must say I find it very brave to use the lens like this, I…

[Read more]