• In reply to: David Farkas wrote a new post, Lightroom Presets for Leica Cameras I’ve taken advantage of Develop Presets when importing and processing my Leica DNG files since switching to Adobe Lightroom in 2009. Presets aren’t complicated. They are simply a saved set of instructions, a rec […] View

    No bug. I tend to expose for the highlights, which often means underexposing by 2/3-1 stop. So, I do build that in to my preset. The added exposure is also there to counteract some of the other corrections tendency to pull the image darker than intended.

  • In reply to: David Farkas wrote a new post, B&W ISO Showdown 2020: Leica M10 Monochrom vs. M Monochrom (Typ 246) vs. M10-P vs. SL2 Shortly after the M Monochrom (Typ 246) was introduced back in early 2015, I published an article comparing it to an M (Typ 240) with its color files converted to black and white to see if high ISO performance […] View

    As you can see from the testing, the M10-P converted to B&W holds up very well here and is indeed a great option. Turning on Monochrom in the menu will just enable a B&W preview during live view and record B&W JPG files if you are shooting JPG or DNG+JPG. But the DNG files are full color. You will need to convert in Lightroom.

  • In reply to: David Farkas wrote a new post, Leica CL Review: The Perfect Travel Camera When the Leica CL was introduced a little over a year ago, the APS-C mirrorless camera joined an already full Leica roster, sharing many similarities with its siblings. Functionally equivalent to the then very […] View

    I really like the smaller size and faster aperture of the 18mm, so that's the way I would go personally. The zoom is a very flexible option if you only want to carry one lens though.

  • In reply to: David Farkas wrote a new post, The Definitive Guide to Leica S Lenses With the recently introduced Leica S3 now finding its way into the market, many photographers are taking a fresh look at the S-System. And while much of the attention is focused on the fourth-generation medium […] View

    Just to clarify further. When adapted to your SL2, the 100mm f/2 Summicron-S will behave exactly as a 100mm f/2. There would be no equivalent DOF conversion nor focal length conversion.

  • In reply to: David Farkas wrote a new post, The Definitive Guide to Leica S Lenses With the recently introduced Leica S3 now finding its way into the market, many photographers are taking a fresh look at the S-System. And while much of the attention is focused on the fourth-generation medium […] View

    You are correct. The marked focal length will behave as such on an SL. A 100mm S lens is a 100mm lens on your SL. On the S, it has the field of view of an 80mm, but the look of a 100mm. So, compared to the 90mm, you will be getting a slightly longer 100mm lens, with a bit more compression and a bit narrower field of view.

  • In reply to: David Farkas wrote a new post, Leica Announces M10-R with 40 Megapixels Today, Leica has announced the M10-R, a new addition to the M10 lineup. Featuring a 40 megapixel CMOS sensor, the digital rangefinder carries forward the features and solid ergonomics of the current […] View

    You are correct. The Maestro II image processor remains the same from the M10 to the M10-R. As does the 2GB buffer. The camera's shooting speed is related more to the sensor itself, which offers almost the same burst rate as the M10. But due to the much larger file sizes, the buffer depth is reduced from 22 shots to 10. Also, writing to the SD…[Read more]

  • In reply to: David Farkas wrote a new post, Leica Announces M10-R with 40 Megapixels Today, Leica has announced the M10-R, a new addition to the M10 lineup. Featuring a 40 megapixel CMOS sensor, the digital rangefinder carries forward the features and solid ergonomics of the current […] View

    I suppose the answer depends on the desired output. No book printing using CMYK offset is going to do full justice to photograph. The medium is limited by its nature of a four color additive process. This is why high-end inkjet printers have 10 or more colors, to boost the available color gamut. If you are looking for prints, then…[Read more]

  • In reply to: Luis Mora wrote a new post, Using M Lenses on the Leica CL:
    New City, New Camera, Familiar Glass
    I’m never without a camera on my shoulder. No camera, no pictures. Everyday moments are there to be captured, and I’m always ready. Some mornings, that familiar analog itch hits. I grab my trusty, battle-worn M6, […] View

    Just about every image that is posted on the site has been shot in DNG and edited in Lightroom. The CL is a great camera, but ultimately, to get the best looking images, shooting in DNG is the preferred method. To help get most of the way there, I did publish a suite of Lightroom presets for every Leica digital camera. You can check that out here:…[Read more]

  • Leica has issued a statement that production of CCD sensors for M9-based models has now been discontinued. This means that going forward, defective sensors or ones exhibiting sensor corrosion cannot be replaced. […]

  • In reply to: David Farkas wrote a new post, Leica Announces M10-R with 40 Megapixels Today, Leica has announced the M10-R, a new addition to the M10 lineup. Featuring a 40 megapixel CMOS sensor, the digital rangefinder carries forward the features and solid ergonomics of the current […] View

    Leica has long used 14-bit data in 16-bit DNG containers. Nothing new here. The S007 uses this 14-bit A/D precision and results in a staggering 15.3 stops of real-world dynamic range. The M10-R has 14 stops of dynamic range, which is still very impressive. My assumption is that they store the data using a logarithmic scale.

  • With the introduction of the 40 megapixel M10-R into the lineup, today Leica has dropped the price of its previous top-tier M10-P by a whopping $1,000. The price of a new M10-P is now $7,795, in either black […]

  • Today, Leica has announced the M10-R, a new addition to the M10 lineup. Featuring a 40 megapixel CMOS sensor, the digital rangefinder carries forward the features and solid ergonomics of the current […]

    • Leica has long used 14-bit data in 16-bit DNG containers. Nothing new here. The S007 uses this 14-bit A/D precision and results in a staggering 15.3 stops of real-world dynamic range. The M10-R has 14 stops of dynamic range, which is still very impressive. My assumption is that they store the data using a logarithmic scale.

    • Dear Mr Farkas, may I ask for an advice ? I have been an avid reader of your field reviews and I use your preset parameters in Lightroom since 2015… I have used Leicas M (M3, M4, M6, M7, M9M, M240) and Hasselblads (500, 503, 903, X1DII) for the last 40 years. And now I feel, thanks to you, on the verge of acquiring the superb M10R. But… with such a definition do you know an editor and printer able to handle those pics ? For argentic negatives and for most of the M9M/M240, Blurb gave an average to good treatment of the files. Not so for the pics of my X1DII. There is a striking loss of quality in the printed book. So, I am pretty sure that the same problem will arise with the M10R. And I need your help. And again, thank you so much for your articles, your photos and videos.

      • I suppose the answer depends on the desired output. No book printing using CMYK offset is going to do full justice to photograph. The medium is limited by its nature of a four color additive process. This is why high-end inkjet printers have 10 or more colors, to boost the available color gamut. If you are looking for prints, then professional-level inkjet, or professional-level photographic lightjet prints would be the way to go.

    • You are correct. The Maestro II image processor remains the same from the M10 to the M10-R. As does the 2GB buffer. The camera's shooting speed is related more to the sensor itself, which offers almost the same burst rate as the M10. But due to the much larger file sizes, the buffer depth is reduced from 22 shots to 10. Also, writing to the SD card will also take longer, as will importing from the card to your computer. Bigger files take longer to transfer at the same speed. Thankfully, the Maestro II can process 320 megapixels per second, meaning the limiting factor isn't the processor. Hope this clarifies things a bit.

  • In reply to: David Farkas wrote a new post, Leica D-Lux 7 Compact Camera Released Today, Leica has released the D-Lux 7, their next generation compact digital camera. Featuring the same solid, ergonomic body and fast 24-75mm (equiv) f/1.7-2.8 lens as the popular D-Lux (Typ 109), the D-Lux 7 ups […] View

    The strap pictured is the Arte di Mano Comodo Neck Strap in Barenia Tan. Here's a link:

    Arte di Mano Comodo Neck Strap – Barenia Tan

    If you want to learn more about Arte di Mano, Kirsten did an awesome job going over all the options in her recent video:

  • In reply to: Leica Store wrote a new post, Leica X2 Review: A Weekend in Berlin The X1 had been a pretty revolutionary idea when Leica released it alongside the M9 on 9/9/9 three years ago. Forgoing the smaller micro 4/3 sensor format, Leica went larger, opting for an SLR-sized APS-C 12MP […] View

    I use Adobe Lightroom for all my image processing. If you like the look of the images, be sure to check out my Lightroom preset article where you can download my camera-specific presets:

    Lightroom Presets for Leica Cameras

  • In reply to: David Farkas wrote a new post, Leica SL2 Firmware v2.0 with 187MP Multi-Shot Today, Leica has released the first major firmware update for its flagship professional mirrorless camera, the SL2. Along with several bug fixes and a few performance improvements, the headlining news for version […] View

    Firmware updates are camera specific. While some improvements for the SL2 may translate to the Q2, many others would not due to hardware differences between the two cameras.

  • All across social media outlets, Leica teased an online event “welcoming the latest member of the M10 family.” The unveiling, to be hosted by Chairman Dr. Andreas Kaufmann and Global Director of Product Division […]

  • Today, Leica has released the first major firmware update for its flagship professional mirrorless camera, the SL2. Along with several bug fixes and a few performance improvements, the headlining news for version […]

    • This is a huge upgrade. I hope even Q2 gets this update as well since they have same image processor and sensor. 🙂 super excited

      • Firmware updates are camera specific. While some improvements for the SL2 may translate to the Q2, many others would not due to hardware differences between the two cameras.

  • In reply to: David Farkas wrote a new post, Photokina 2018: The Leica CL and Future of APS-C Leica officially announced the CL, Silver Anodized this week at Photokina. And while functionally identical to the original all-black CL, the silver does look quite nice and offer a little refresh to the camera. […] View

    Interesting. Definitely missed that one. Looking at the history, seems the DP1 was released in 2008 and had a sensor a bit smaller than APS-C. So…. technically, the X1 was still the first APS-C all-in-one camera.

  • In reply to: David Farkas wrote a new post, The Definitive Guide to Leica S Lenses With the recently introduced Leica S3 now finding its way into the market, many photographers are taking a fresh look at the S-System. And while much of the attention is focused on the fourth-generation medium […] View

    No. The Leica S3 will not have IBIS. Functionally, the S3 is near identical to the S007, but with a dramatically improved sensor, both in terms of resolution and ISO performance.

  • Today, Leica has announced that the popular D-Lux 7 compact digital camera will be available in all-black version. Since its introduction, the camera has only been offered in a two-tone silver and black. This […]

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