Member David Farkas

You sold me David and Josh.
Got the kit in time for the new year.
Thanks,
Jack

Adobe's move to monthly license fees for Creative Cloud was the reason why Lightroom licenses are no longer included in any Leica camera. Previously, Adobe was supporting both CC subscriptions as well as paid-in-full standalone licenses. Leica was able to purchase these in bulk to provide with cameras. But, Adobe ceased supporting standalone editions, resulting in older versions like LR6 not supporting RAW files from the latest cameras. Unfortunately, Leica had no say in this move.

The strap pictured is the Arte di Mano Comodo Neck Strap in Barenia Tan. Here's a link:

Arte di Mano Comodo Neck Strap – Barenia Tan

If you want to learn more about Arte di Mano, Kirsten did an awesome job going over all the options in her recent video:

Thanks for this reporting. I know it takes money and time to make this sort of trip, conduct interviews, and write this info up.

I had an SL at one time. This excites me to maybe get an SL again… or wait for SL 2.0. I liked using my TL lenses on the SL despite the crop down to 10MP.

Thanks David for this insightful report. Rarely is it reported that lens IQ is primary, camera resolution secondary, but here we are in 2018 with Leica lenses on the cutting edge like no others. I would be interested in similar interviews from Panasonic and Sigma. Would that be possible?

Is it a vulgarity to point to the difference of price between the Leica X2 (1750 euros) and the CL 18mm kit (3500 euros)? That's exactly double.

People will not buy some “system flexibility” if they are simply looking for an expert compact.

Thanks for this. I like my CL. My only complaint (are you reading Leica) is the inability to turn off Long Exposure Noise Reduction. I've looked and not found a way. Otherwise the compact TL lenses are a pleasure to carry around (relatively light weight) and have pretty good image quality (not M-good but to me as good as the Q when I owned that). I also like the menu system and ability to configure the various buttons and dials. /very easy and handy.

I've used the CL on four separate trips in the past several months and never once did I miss having image stabilization in the body. From a marketing perspective, IBIS might seem like a must-have feature, but from practical use, I personally don't need it. I've found the CL to be like a baby SL, especially in the look of the images.

Really, any of the TL lenses are good choices with regards to optical performance. The 18-56 definitely isn't what I'd call heavy, but the 18mm and the 23mm are both more compact and lighter. Personally, I tend to favor the fixed focal length lenses. The 18 will give you the equivalent FOV of a 28mm, the 23 will act like a 35mm. So, I think it really depends what you are looking for.

The CL is in a different league from the X2 with regards to AF speed. Not even close.

Interesting. Definitely missed that one. Looking at the history, seems the DP1 was released in 2008 and had a sensor a bit smaller than APS-C. So…. technically, the X1 was still the first APS-C all-in-one camera.

Nicely done,
Thanks
Jack

very enlightening!
Albert

Paul,

I agree that buffer memory should have been increased to 4GB on this generation. But…. Most fashion photographers don't shoot at full burst. Quick, yes, but not at burst speed. I think at a fast single shot rate, the S3 could keep up. A Phase One only shoots about 1 FPS max, and these are used in fashion work all the time.

For me, I see the S3 mainly as a landscape and travel camera, which is how I personally use the S007. The more compact body, full weather sealing, long battery life, excellent high ISO, and class-leading dynamic range make it the perfect tool. As a landscape photographer, do I personally care about burst depth, or even maximum FPS? Nope. The S was never intended as a sports or PJ camera, two areas where fast frame rate is paramount. Rather, the speed of the S that matters is the shot-to-shot responsiveness, playback speed and ease of operation. This is what I tested during my handling of the new camera, and it feels just as responsive as the S007.

Based on my own desires as a long-time S shooter, feedback I've received on articles, and direct conversations I've had with other S users, yes, I do think the S3 will be a success. Would I have liked to see other updates? Sure. But for me, I already love the body, lenses, viewfinder and overall shooting experience of the S. I already know how solid a workhorse it's been for me in the field. What I, and others, really wanted was a bump in resolution without sacrificing DR or low light ability. What we got was additional resolution and a marked improvement in DR, high ISO and color fidelity.

I don't know when Leica started development, but if the final result is the best sensor on the market, then I'd say it's worth the wait. 🙂

Phillip,

I understand your concerns.

I suppose I'm not bothered by a single focus point. Even when given the option of multi-point focus on the SL or CL, I usually prefer to use a central point and recompose. I often find moving a focus point around to be distracting and slower than simply focusing and reframing. For landscape shooting, I use the top display DOF readout and dial in the focus manually, which is one of the S007's killer features (also on the SL).

Having also shot the S2 a lot, then the S006 and S007, I can safely say that even before the resolution jump of the S3, the S007 is a completely different shooting experience from the S2. The ergonomics and speed are already quite good. The added DR, ISO range and resolution of the S3 are really what most users wanted, myself included. I also use the S for shooting other than static landscape. It handles walkaround shooting just fine. Even at night.

Would I have liked a better LCD? Of course. More capable video? Maybe, although I use the SL for this, so it's not my top use for the S. I can think of a handful of nice-to-haves, but Leica's focus was clearly centered around maximum image quality and I do think they have delivered on that goal. Some may not feel the resolution is adequate, but I'll take a camera that is pushing 16 stops of DR, can shoot cleanly at ISO 6400, handles like a champ, offers all day battery life, is virtually impervious to the elements, has a phenomenal range of lenses and one of the clearest and brightest viewfinders ever made, along with *only* 64MP of resolution.